In 1800, as Napoleon Bonaparte rises to power in France, a rivalry erupts between Armand and Gabriel, two lieutenants in the French Army, over a perceived insult. For over a decade, they engage in a series of duels amidst larger conflicts, including the failed French invasion of Russia in 1812, and shifts in the political and social systems of Europe.
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| Writing | Gerald Vaughan-Hughes | Screenplay |
| Directing | Ridley Scott | Director |
| Production | David Puttnam | Producer |
| Editing | Pamela Power | Editor |
| Sound | Howard Blake | Original Music Composer |
| Camera | Frank Tidy | Director of Photography |
| Art | Bryan Graves | Art Direction |
| Production | Mary Selway | Casting |
| Costume & Make-Up | Tom Rand | Costume Design |
| Production | Ivor Powell | Associate Producer |
| Art | Peter J. Hampton | Production Design |
| Camera | Hugh Johnson | Clapper Loader |
| Camera | Ray Hall | Grip |
| Editing | Michael Bradsell | Supervising Editor |
| Directing | Peter Kohn | Third Assistant Director |
| Sound | Terry Rawlings | ADR Editor |
| Costume & Make-Up | Sheila Thomas | Assistant Hairstylist |
| Art | John Lanzer | Property Buyer |
| Sound | Bill Burgess | Boom Operator |
| Editing | Peter Hollywood | Assistant Editor |
| Directing | Patricia Eberhard | Second Assistant Director |
| Editing | Les Healey | Assistant Editor |
| Directing | Terry Marcel | First Assistant Director |
| Directing | David Wimbury | Second Assistant Director |
| Costume & Make-Up | Paul Nix | Hairstylist |
| Art | Ann Mollo | Set Dresser |
| Art | Mike Fowlie | Property Master |
| Sound | Derrick Leather | Sound Mixer |
| Crew | William Hobbs | Fight Choreographer |
| Crew | Richard Graydon | Stunts |
| Costume & Make-Up | Elaine Carew | Assistant Makeup Artist |
| Editing | Roy Burge | Assistant Editor |
| Art | Mike Dempsey | Title Designer |
| Writing | Joseph Conrad | Story |
| Costume & Make-Up | Sue Barradell | Makeup Supervisor |
| Art | Maria Dumas | Art Department Assistant |
| Camera | Steve Barron | Clapper Loader |
| Sound | John Richards | Music Editor |
| Crew | John Burgess | Special Effects |
| Production | Olga Farel | Location Manager |
| Directing | Melinda Rees | Continuity |
| Directing | Kay Fenton | Continuity |
| Sound | Hugh Strain | ADR Mixer |
| Lighting | Al Watson | Gaffer |
| Production | Peter Jaques | Production Manager |
| Art | John Hogan | Dressing Prop |
| Sound | Joe Ryan | Sound Recordist |
| Art | Ted Stickley | Props |
| Art | Mickey Pugh | Props |
| Production | Guilhaine Cosse | Production Secretary |
| Art | Arthur Wicks | Dressing Prop |
| Costume & Make-Up | James Wakely | Wardrobe Master |
| Art | Pat Hughes | Dressing Prop |
| Crew | Tito Tomassini | Weapons Master |
| Production | Lily van Rijs | Casting |
| Costume & Make-Up | Rita Wakely | Wardrobe Master |
| Production | Jean-François Villemer | Location Assistant |
| Production | Nicole Miloux | Assistant Accountant |
| Crew | Brian Higgins | Carpenter |
| Art | Clinton Cavers | Location Scout |
| Production | Carolyn Pfeiffer | Associate Producer |
| Production | Sean O'Brien | Assistant Accountant |
| Sound | Howard Blake | Conductor |
| Production | Paul Cadiou | Production Accountant |
| Production | Lynda Smith | Production Secretary |
| Crew | Con Lewis | Driver |
| Art | Matthew Binns | Runner Art Department |
| Production | Gil Mead | Production Assistant |
| Art | Steve Lincoln | Runner Art Department |
| Art | Les Benson | Dressing Prop |
| Camera | David Appleby | Still Photographer |
| Camera | Ridley Scott | Camera Operator |
| Camera | Adrian Biddle | Focus Puller |
