In 1800, as Napoleon Bonaparte rises to power in France, a rivalry erupts between Armand and Gabriel, two lieutenants in the French Army, over a perceived insult. For over a decade, they engage in a series of duels amidst larger conflicts, including the failed French invasion of Russia in 1812, and shifts in the political and social systems of Europe.
Is The Duellists on Netflix? Unfortunately the movie The Duellists is not yet available on Netflix.
Writing | Gerald Vaughan-Hughes | Screenplay |
Directing | Ridley Scott | Director |
Production | David Puttnam | Producer |
Editing | Pamela Power | Editor |
Sound | Howard Blake | Original Music Composer |
Camera | Frank Tidy | Director of Photography |
Art | Bryan Graves | Art Direction |
Production | Mary Selway | Casting |
Costume & Make-Up | Tom Rand | Costume Design |
Production | Ivor Powell | Associate Producer |
Art | Peter J. Hampton | Production Design |
Camera | Hugh Johnson | Clapper Loader |
Camera | Ray Hall | Grip |
Editing | Michael Bradsell | Supervising Editor |
Directing | Peter Kohn | Third Assistant Director |
Sound | Terry Rawlings | ADR Editor |
Costume & Make-Up | Sheila Thomas | Assistant Hairstylist |
Art | John Lanzer | Property Buyer |
Sound | Bill Burgess | Boom Operator |
Editing | Peter Hollywood | Assistant Editor |
Directing | Patricia Eberhard | Second Assistant Director |
Editing | Les Healey | Assistant Editor |
Directing | Terry Marcel | First Assistant Director |
Directing | David Wimbury | Second Assistant Director |
Costume & Make-Up | Paul Nix | Hairstylist |
Art | Ann Mollo | Set Dresser |
Art | Mike Fowlie | Property Master |
Sound | Derrick Leather | Sound Mixer |
Crew | William Hobbs | Fight Choreographer |
Crew | Richard Graydon | Stunts |
Costume & Make-Up | Elaine Carew | Assistant Makeup Artist |
Editing | Roy Burge | Assistant Editor |
Art | Mike Dempsey | Title Designer |
Writing | Joseph Conrad | Story |
Costume & Make-Up | Sue Barradell | Makeup Supervisor |
Art | Maria Dumas | Art Department Assistant |
Camera | Steve Barron | Clapper Loader |
Sound | John Richards | Music Editor |
Crew | John Burgess | Special Effects |
Production | Olga Farel | Location Manager |
Directing | Melinda Rees | Continuity |
Directing | Kay Fenton | Continuity |
Sound | Hugh Strain | ADR Mixer |
Lighting | Al Watson | Gaffer |
Production | Peter Jaques | Production Manager |
Art | John Hogan | Dressing Prop |
Sound | Joe Ryan | Sound Recordist |
Art | Ted Stickley | Props |
Art | Mickey Pugh | Props |
Production | Guilhaine Cosse | Production Secretary |
Art | Arthur Wicks | Dressing Prop |
Costume & Make-Up | James Wakely | Wardrobe Master |
Art | Pat Hughes | Dressing Prop |
Crew | Tito Tomassini | Weapons Master |
Production | Lily van Rijs | Casting |
Costume & Make-Up | Rita Wakely | Wardrobe Master |
Production | Jean-François Villemer | Location Assistant |
Production | Nicole Miloux | Assistant Accountant |
Crew | Brian Higgins | Carpenter |
Art | Clinton Cavers | Location Scout |
Production | Carolyn Pfeiffer | Associate Producer |
Production | Sean O'Brien | Assistant Accountant |
Sound | Howard Blake | Conductor |
Production | Paul Cadiou | Production Accountant |
Production | Lynda Smith | Production Secretary |
Crew | Con Lewis | Driver |
Art | Matthew Binns | Runner Art Department |
Production | Gil Mead | Production Assistant |
Art | Steve Lincoln | Runner Art Department |
Art | Les Benson | Dressing Prop |
Camera | David Appleby | Still Photographer |
Camera | Ridley Scott | Camera Operator |
Camera | Adrian Biddle | Focus Puller |