John Hall is a drifter who wanders into a small town in Maine. He needs a job and decides to seek employment at the community's top business: a large textile mill. He is hired to work the "graveyard shift" -- from around midnight to dawn -- and, along with a few others, he is charged with cleaning out the basement. This task strikes the workers as simple enough, but then, as they proceed deeper underground, they encounter an unspeakable monstrosity intent on devouring them all.
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| Directing | Ralph S. Singleton | Director |
| Writing | John Esposito | Screenplay |
| Crew | Kerrie Cullen | Stunts |
| Crew | Carl Ciarfalio | Stunts |
| Crew | Michael Adams | Stunts |
| Crew | Greg Elam | Stunts |
| Crew | Randy Fife | Stunt Coordinator |
| Directing | Mark Cotone | Second Assistant Director |
| Art | Gershon Ginsburg | Assistant Art Director |
| Directing | Lynne Twentyman | Script Supervisor |
| Camera | Rusty Geller | Camera Operator |
| Sound | Ron Bedrosian | ADR Engineer |
| Sound | Hank Brodkin | ADR Editor |
| Sound | Jerry Trent | Foley Artist |
| Directing | Barry K. Thomas | First Assistant Director |
| Crew | David Gaines | Post Production Supervisor |
| Sound | Hank Brodkin | Dialogue Editor |
| Sound | Doug E. Turner | Sound Re-Recording Mixer |
| Directing | Peter Chesney | Second Unit Director |
| Art | Rhonda Hardwick | Assistant Set Decoration |
| Camera | Kent P. Hughes | Second Assistant Camera |
| Editing | Karen Dale Greene | Assistant Editor |
| Sound | Harry Harris | Dialogue Editor |
| Sound | Christopher Kennedy | Music Editor |
| Camera | Gary Baum | First Assistant Camera |
| Sound | Richard Corwin | ADR Editor |
| Production | William Hassell | Unit Production Manager |
| Sound | Frank A. Montaño | Sound Re-Recording Mixer |
| Camera | Toris Von Wolfe | Still Photographer |
| Crew | Cliff McLaughlin | Stunts |
| Camera | Beth Cotter | Second Assistant Camera |
| Sound | Richard Corwin | Dialogue Editor |
| Sound | Grover B. Helsley | Sound Re-Recording Mixer |
| Sound | Jon Johnson | Sound Effects |
| Sound | Howard Neiman | Foley Supervisor |
| Production | Diane Foti | Unit Production Manager |
| Sound | Bernie Blynder | Sound Mixer |
| Sound | Harry Harris | ADR Editor |
| Editing | Amy Shorr | Assistant Editor |
| Sound | Howard Neiman | ADR Supervisor |
| Sound | Jeffrey Blynder | Boom Operator |
| Sound | Audrey Trent | Foley Artist |
| Directing | John G. Scotti | Second Unit First Assistant Director |
| Costume & Make-Up | Donna King | Costumer |
| Costume & Make-Up | Karen Blynder | Makeup Artist |
| Costume & Make-Up | June Brickman | Key Makeup Artist |
| Production | Laura Butterworth | Local Casting |
| Costume & Make-Up | Angela Hajianis | Costumer |
| Costume & Make-Up | Candy Walker | Hairstylist |
| Camera | Tony Cutrono | Second Unit Director of Photography |
| Production | Joan Singleton | Associate Producer |
| Production | Ralph S. Singleton | Producer |
| Editing | Jim Gross | Editor |
| Art | Jack Jennings | Art Direction |
| Sound | Brian Banks | Original Music Composer |
| Production | Richard Pagano | Casting |
| Production | William J. Dunn | Producer |
| Production | Anthony Labonte | Associate Producer |
| Costume & Make-Up | Sarah Lemire | Costume Design |
| Production | Sharon Bialy | Casting |
| Production | Mary Margiotta | Casting |
| Art | George R. Nelson | Set Decoration |
| Art | Gary Wissner | Production Design |
| Sound | Anthony Marinelli | Original Music Composer |
| Camera | Peter Stein | Director of Photography |
| Production | Bonnie Sugar | Executive Producer |
| Editing | Randy Jon Morgan | Editor |
| Production | Larry Sugar | Executive Producer |
| Writing | Stephen King | Short Story |
