After his rich father refuses to pay his debt, compulsive gambler Lawrence Bourne III joins the Peace Corps to evade angry creditors. In Thailand, he is assigned to build a bridge for the local villagers with the help of American-As-Apple-Pie WSU Grad Tom Tuttle and the beautiful and down-to earth Beth Wexler. What they don't realize is that the bridge is coveted by the U.S. Army, a local Communist force, and a powerful drug lord. Together with the help of At Toon, the only English speaking native, they must fight off the three opposing forces and find out what is right for the villagers, as well as themselves.
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| Writing | Keith Critchlow | Story |
| Directing | Nicholas Meyer | Director |
| Crew | Heriberto Cárdenas | Cableman |
| Sound | Claude Hitchcock | Sound Mixer |
| Sound | Terry Lynn Allen | Sound Editor |
| Sound | Randy Kelley | Sound Editor |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Sound | Jim Weidman | Music Editor |
| Sound | Elliott Koretz | Sound Editor |
| Sound | Gary Alexander | Sound Re-Recording Mixer |
| Crew | Laurencio Cordero | Special Effects Coordinator |
| Editing | Brian Ralph | Negative Cutter |
| Camera | Leo J. Napolitano | Camera Operator |
| Crew | Robert Easton | Dialect Coach |
| Sound | Wylie Stateman | Supervising Sound Editor |
| Sound | Mark P. Stoeckinger | ADR Editor |
| Directing | Elie Cohn | First Assistant Director |
| Sound | Else Blangsted | Music Editor |
| Sound | Dan M. Rich | Sound Editor |
| Sound | Robert Glass | Sound Re-Recording Mixer |
| Sound | Lon Bender | Supervising Sound Editor |
| Camera | Salvador 'Apache' Serrano | Dolly Grip |
| Sound | Joe Gilbert | Assistant Sound Editor |
| Sound | Stan Gilbert | ADR Editor |
| Art | Jorge Sainz | Assistant Art Director |
| Camera | Ric Waite | Director of Photography |
| Sound | Lorna Anderson | Assistant Sound Editor |
| Camera | Alfredo Ruvalcaba | Still Photographer |
| Art | Ray Mercer Jr. | Property Master |
| Sound | Claude King | Other |
| Writing | David Isaacs | Screenplay |
| Writing | Ken Levine | Screenplay |
| Sound | James Horner | Original Music Composer |
| Crew | Kane Hodder | Stunts |
| Crew | Alan Marcus | Stunts |
| Crew | Dianne L. Wilson | Stunts |
| Crew | Rob King | Stunts |
| Crew | Paul Staples | Stunts |
| Lighting | Carl Boles | Gaffer |
| Crew | BJ Davis | Stunt Coordinator |
| Crew | Denny Arnold | Stunts |
| Crew | Ellie Mite | Stunts |
| Crew | Wayne King Sr. | Stunts |
| Crew | John Barrett | Stunts |
| Production | Theodore R. Parvin | Associate Producer |
| Art | James L. Schoppe | Production Design |
| Art | José Rodríguez Granada | Art Direction |
| Production | Walter F. Parkes | Producer |
| Production | Joyce Robinson | Casting |
| Costume & Make-Up | Allan A. Apone | Makeup Designer |
| Costume & Make-Up | Del Armstrong | Makeup Supervisor |
| Editing | Ronald Roose | Editor |
| Production | Richard Shepherd | Producer |
| Costume & Make-Up | Josefina Mendoza | Hairstylist |
| Production | Penny Ellers | Casting |
| Editing | Steve Polivka | Editor |
| Costume & Make-Up | Raúl Esquivel | Wigmaker |
| Costume & Make-Up | Alberto López | Makeup Artist |
| Costume & Make-Up | Esperanza Gómez | Hairstylist |
