Captain Jean-Luc Picard and the crew of the Enterprise-D find themselves at odds with the renegade scientist Soran who is destroying entire star systems. Only one man can help Picard stop Soran's scheme...and he's been dead for seventy-eight years.
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| Sound | Dennis McCarthy | Original Music Composer |
| Directing | David Carson | Director |
| Art | Sandy Veneziano | Art Direction |
| Production | Peter Lauritson | Producer |
| Art | Herman F. Zimmerman | Production Design |
| Production | Bernard Williams | Executive Producer |
| Costume & Make-Up | Robert Blackman | Costume Design |
| Production | Junie Lowry-Johnson | Casting |
| Camera | John A. Alonzo | Director of Photography |
| Art | John M. Dwyer | Set Decoration |
| Production | Ron Surma | Casting |
| Editing | Peter E. Berger | Editor |
| Writing | Brannon Braga | Writer |
| Writing | Ronald D. Moore | Writer |
| Costume & Make-Up | Michael Westmore | Special Effects Key Makeup Artist |
| Costume & Make-Up | Debbie Zoller | Makeup Artist |
| Costume & Make-Up | Gilbert A. Mosko | Makeup Artist |
| Costume & Make-Up | Joy Zapata | Key Hair Stylist |
| Production | Michelle Wright | Production Supervisor |
| Costume & Make-Up | June Westmore | Makeup Artist |
| Directing | Linda Brachman | Second Unit First Assistant Director |
| Sound | Pamela Bentkowski | Foley Editor |
| Writing | Rick Berman | Story |
| Costume & Make-Up | Carolyn Elias | Hairstylist |
| Costume & Make-Up | Patricia Miller | Hairstylist |
| Sound | Jon Johnson | Sound Effects Editor |
| Costume & Make-Up | Thomas E. Surprenant | Makeup Artist |
| Production | Bernard Williams | Unit Production Manager |
| Costume & Make-Up | Starr Jones | Makeup Artist |
| Art | Dianne Wager | Set Designer |
| Sound | Jeffrey R. Payne | Foley Editor |
| Directing | Chris Soldo | First Assistant Director |
| Costume & Make-Up | Laura Connolly | Hairstylist |
| Directing | Arlene Fukai | Second Second Assistant Director |
| Sound | David Lee Fein | Foley Artist |
| Production | Robert Grand | Unit Production Manager |
| Directing | Yudi Bennett | First Assistant Director |
| Directing | Daniel Silverberg | Second Assistant Director |
| Sound | Gloria D'Alessandro | Dialogue Editor |
| Sound | Ken Dufva | Foley Artist |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Sound | Jim Likowski | Foley Editor |
| Art | Thomas J. Arp | Construction Coordinator |
| Art | William K. Dolan | Leadman |
| Art | Robert Fechtman | Set Designer |
| Sound | Thomas Causey | Sound Mixer |
| Sound | Joseph A. Ippolito | Supervising Dialogue Editor |
| Sound | Lee Lemont | ADR Editor |
| Art | Bill Cancienne | Assistant Property Master |
| Sound | Joseph F. Brennan | Boom Operator |
| Sound | Nicholas Korda | ADR Editor |
| Sound | Bob Baron | ADR Mixer |
| Sound | Kevin Hearst | Dialogue Editor |
| Art | Larry Clark | Construction Foreman |
| Art | Douglas Fox | Property Master |
| Sound | Scott G.G. Haller | Assistant Sound Editor |
| Art | Ron Wilkinson | Set Designer |
| Sound | Richard Corwin | Dialogue Editor |
| Editing | John Coniglio | Assistant Editor |
| Editing | Terry Hager | Color Timer |
| Production | Christine Bonnem | Location Manager |
| Crew | Bud Davis | Stunt Coordinator |
| Lighting | Stuart A. Spohn | Chief Lighting Technician |
| Camera | Pernell Youngblood Tyus | Camera Operator |
| Camera | Gregory W. Smith | First Assistant Camera |
| Camera | Alan Gitlin | First Assistant Camera |
| Camera | Jorge Sánchez | Second Assistant Camera |
| Editing | Jonathan Cates | Assistant Editor |
| Sound | Thomas W. Small | Assistant Sound Editor |
| Camera | Michael P. May | First Assistant Camera |
| Costume & Make-Up | Elaine Ramires | Costume Supervisor |
| Visual Effects | Terry D. Frazee | Special Effects Supervisor |
| Editing | Martin November | Assistant Editor |
| Sound | James Wolvington | Supervising Sound Editor |
| Camera | Krishna Rao | Camera Operator |
| Lighting | Francis X. Valdez III | Assistant Chief Lighting Technician |
| Camera | George Billinger III | Steadicam Operator |
| Camera | John Harmon | Dolly Grip |
| Camera | Elliott Marks | Still Photographer |
| Sound | Becky Sullivan | Supervising ADR Editor |
| Sound | Masanobu 'Tomi' Tomita | Sound Effects Editor |
| Camera | Jeffrey Greeley | First Assistant Camera |
| Sound | Jeffrey L. Sandler | Sound Effects Editor |
| Editing | Theresa Repola Mohammed | Negative Cutter |
| Sound | Stephen M. Rowe | Music Editor |
| Crew | Sophia Lansky | Dialect Coach |
| Production | Kelley Wood | Production Coordinator |
| Crew | Don Levy | Unit Publicist |
| Sound | Sean Callery | Sound Effects Editor |
| Sound | Adam Jenkins | Sound Re-Recording Mixer |
| Sound | Randy Singer | Foley Mixer |
| Directing | Judi Brown | Script Supervisor |
| Visual Effects | Rob Coleman | Animation |
| Art | George Hull | Conceptual Illustrator |
| Crew | Jay Caputo | Stunts |
| Crew | Eugene Collier | Stunts |
| Crew | John Nowak | Stunts |
| Crew | Randy Hall | Stunts |
| Crew | Don Pulford | Stunts |
| Crew | Joni Avery | Stunt Double |
| Crew | Jeff Mosley | Stunts |
| Crew | Erik Stabenau | Stunts |
| Crew | Bernie Pock | Stunts |
| Crew | Mark Riccardi | Stunt Double |
| Crew | Merritt Yohnka | Stunts |
| Crew | Jane Austin | Stunt Double |
| Visual Effects | Mark Anderson | Modeling |
| Production | Rick Berman | Producer |
| Crew | Patricia Tallman | Stunt Double |
| Costume & Make-Up | Michael Key | Makeup Artist |
| Visual Effects | John Knoll | Visual Effects Supervisor |
