Eugene, an aspiring writer from Brooklyn, is drafted into the US Army during the final months of World War II. For his basic training, the Army sends him to Camp Shelby in Mississippi, where toil, bad food, and antisemitic jibes await. Eugene takes refuge in his sense of humor and in his diary, but they won't protect him in a battle of wills with an unstable drill sergeant.
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| Directing | Mike Nichols | Director |
| Production | Ray Stark | Producer |
| Art | Paul Sylbert | Production Design |
| Production | Joseph M. Caracciolo | Executive Producer |
| Editing | Sam O'Steen | Editor |
| Writing | Neil Simon | Theatre Play |
| Production | Juliet Taylor | Casting |
| Production | Marykay Powell | Executive Producer |
| Production | Joseph M. Caracciolo | Unit Production Manager |
| Sound | Georges Delerue | Original Music Composer |
| Camera | Bill Butler | Director of Photography |
| Costume & Make-Up | Ann Roth | Costume Design |
| Writing | Neil Simon | Screenplay |
| Directing | James W. Skotchdopole | Second Assistant Director |
| Directing | Michael Haley | First Assistant Director |
| Directing | B.J. Bjorkman | Script Supervisor |
| Directing | Carla Corwin | Second Second Assistant Director |
| Directing | Glen Trotiner | Additional Second Assistant Director |
| Editing | Richard Nord | Associate Editor |
| Camera | Peter Gerling | Second Assistant Camera |
| Lighting | Francis J. McBride | Rigging Gaffer |
| Camera | Bill Coe | First Assistant Camera |
| Camera | Ralph Gerling | Camera Operator |
| Lighting | James Malone | Best Boy Electric |
| Camera | Don Smetzer | Still Photographer |
| Lighting | William Ward | Gaffer |
| Art | Alan Hicks | Set Decoration |
| Camera | Robert Ulland | Steadicam Operator |
| Camera | James McGrath | Dolly Grip |
| Lighting | Michael J. Fabiano | Rigging Grip |
| Art | Herbert F. Mulligan | Set Dresser |
| Sound | Allan Byer | Sound Mixer |
| Camera | Norman Buck | Key Grip |
| Costume & Make-Up | Kelvin R. Trahan | Makeup Designer |
| Costume & Make-Up | Frank Bianco | Hairstylist |
| Costume & Make-Up | Gary Jones | Assistant Costume Designer |
| Costume & Make-Up | Bruce Ericksen | Wardrobe Supervisor |
| Crew | John Ottesen | Special Effects |
| Costume & Make-Up | Kelvin R. Trahan | Hair Designer |
| Crew | Whitey Hughes | Stunt Coordinator |
| Crew | Rick LeFevour | Stunt Coordinator |
| Art | Carlos Quiles | Construction Coordinator |
| Crew | Joan Eisenberg | Unit Publicist |
| Crew | Daniel Ottesen | Special Effects |
| Costume & Make-Up | Jay Cannistraci | Makeup Artist |
| Production | Sarah Tackett | Extras Casting |
| Crew | Kevin Brink | Special Effects |
| Art | Edward C. Sexton | Head Carpenter |
| Production | Wendi Haas | Production Office Coordinator |
| Costume & Make-Up | Michael Dennison | Wardrobe Supervisor |
| Sound | Stan Bochner | Supervising Sound Editor |
| Editing | Kris Cole | Assistant Editor |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Costume & Make-Up | Amy Roth | Wardrobe Assistant |
| Sound | Tony Martinez | Assistant Sound Editor |
| Editing | Bruce Pearson | Color Timer |
| Sound | Robert Hein | Sound Editor |
| Sound | Patrick Mullins | Music Editor |
| Sound | Michael Jacobi | ADR Supervisor |
| Editing | Lori Kornspun | Assistant Editor |
| Sound | Gail Showalter | Assistant Sound Editor |
