An Episcopal Bishop, Henry Brougham, has been working for months on the plans for an elaborate new cathedral which he hopes will be paid for primarily by a wealthy, stubborn widow. He is losing sight of his family and of why he became a churchman in the first place. Enter Dudley, an angel sent to help him. Dudley does help everyone he meets, but not necessarily in the way they would have preferred. With the exception of Henry, everyone loves him, but Henry begins to believe that Dudley is there to replace him, both at work and in his family's affections, as Christmas approaches.
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Directing | Henry Koster | Director |
Writing | Robert Nathan | Novel |
Writing | Robert E. Sherwood | Screenplay |
Writing | Leonardo Bercovici | Screenplay |
Production | Samuel Goldwyn | Producer |
Editing | Monica Collingwood | Editor |
Art | Perry Ferguson | Art Direction |
Camera | Gregg Toland | Director of Photography |
Art | George Jenkins | Art Direction |
Art | Julia Heron | Set Decoration |
Costume & Make-Up | Irene Sharaff | Costume Design |
Costume & Make-Up | Adrian | Costume Design |
Costume & Make-Up | Marie Clark | Hairstylist |
Costume & Make-Up | Robert Stephanoff | Makeup Artist |
Crew | Billy Wilder | Additional Writing |
Crew | Charles Brackett | Additional Writing |
Sound | Hugo Friedhofer | Original Music Composer |
Production | Leon Fromkess | Executive In Charge Of Production |
Production | Raoul Pagel | Production Manager |
Directing | Joseph Boyle | Assistant Director |
Art | Dorothea Holt | Other |
Crew | Harry Redmond Jr. | Special Effects |
Lighting | Vic Jones | Gaffer |
Camera | Hal McAlpin | Still Photographer |
Camera | Bert Shipman | Camera Operator |
Directing | Sam Freedle | Script Supervisor |
Sound | Fred Lau | Sound Recordist |
Sound | Emil Newman | Music Director |
Sound | Jerome Moross | Orchestrator |
Crew | John P. Fulton | Special Effects |
Sound | Charles Henderson | Music Director |