Set in 1962, a young prepubescent boy in rural Australia watches painfully as his best friend and first love blossoms into womanhood and falls for a thuggish rugby player, changing the lives of everyone involved.
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| Directing | John Duigan | Director |
| Sound | Angus Robertson | ADR Mixer |
| Crew | Danny Baldwin | Stunts |
| Production | Beverly D'Arcy | Assistant Accountant |
| Production | Hugh Johnston | Unit Manager |
| Camera | Erika Addis | Clapper Loader |
| Art | Colin Gibson | Standby Property Master |
| Crew | Greg Stuart | Stunts |
| Crew | Marcus D'Arcy | Post Production Supervisor |
| Production | Maria Phillips | Production Runner |
| Art | Alethea Deane | Set Decoration Buyer |
| Directing | Daphne Paris | Script Supervisor |
| Directing | P.J. Voeten | Assistant Director |
| Sound | Catherine Gross | Boom Operator |
| Lighting | Robert Burr | Assistant Electrician |
| Production | Alison Barrett | Casting |
| Camera | Darrin Keough | Focus Puller |
| Lighting | Steve Harris | Electrician |
| Directing | Tom Blacket | Assistant Director |
| Directing | Charles Rotherham | First Assistant Director |
| Crew | Claire O'Brien | Post Production Supervisor |
| Production | Christine Woodruff | Extras Casting |
| Camera | Bruce Barber | Key Grip |
| Production | Julie Plummer | Production Coordinator |
| Crew | Con Mustard | Carpenter |
| Sound | Julius Chan | Foley |
| Crew | Linda Megier | Stunts |
| Sound | Christine Woodruff | Music Coordinator |
| Lighting | Ian Plummer | Gaffer |
| Lighting | Grant Atkinson | Best Boy Electric |
| Production | Alistair Jenkins | Finance |
| Production | Janeen Faithfull | Production Accountant |
| Camera | Kerry Jackson | Assistant Grip |
| Art | Sarah Tooth | Assistant Set Designer |
| Crew | Guy Norris | Stunts |
| Costume & Make-Up | Christian Shearer | Wardrobe Assistant |
| Sound | Nick Breslin | Assistant Dialogue Editor |
| Art | Danny Burnett | Construction Manager |
| Costume & Make-Up | Julie Frankham | Wardrobe Assistant |
| Costume & Make-Up | Anna Wade | Wardrobe Assistant |
| Sound | Steve Murphy | Sound Effects Editor |
| Sound | Penn Robinson | Foley |
| Camera | Robert McFarlane | Still Photographer |
| Crew | Guy Norris | Stunt Coordinator |
| Costume & Make-Up | Suzy Carter | Wardrobe Assistant |
| Sound | John Patterson | Assistant Dialogue Editor |
| Costume & Make-Up | Lyn Askew | Wardrobe Coordinator |
| Costume & Make-Up | Rita Crouch | Wardrobe Assistant |
| Sound | Karin Whittington | Dialogue Editor |
| Crew | Janene Luff | Catering |
| Sound | Gary O'Grady | Foley |
| Costume & Make-Up | Fiona Nicolls | Wardrobe Coordinator |
| Editing | Julia Gelhard | Assistant Editor |
| Sound | Tim Jordan | Dialogue Editor |
| Crew | Robyn Moase | Choreographer |
| Art | Jo Johanson | Runner Art Department |
| Editing | Jane Maguire | Assistant Editor |
| Editing | Neil Thumpston | Editor |
| Writing | John Duigan | Writer |
| Art | Roger Ford | Production Design |
| Camera | Geoff Burton | Director of Photography |
| Costume & Make-Up | Lyn Askew | Costume Design |
| Production | George Miller | Producer |
| Costume & Make-Up | Jan Zeigenbein | Hairstylist |
| Sound | Ross Linton | Sound Recordist |
| Production | Terry Hayes | Producer |
| Costume & Make-Up | Roger Ford | Costume Design |
| Sound | Nicki Roller | Sound Effects Editor |
| Sound | Phil Judd | Sound Mixer |
| Production | Doug Mitchell | Producer |
| Costume & Make-Up | Sherry Hubbard | Makeup Artist |
| Production | Barbara Gibbs | Associate Producer |
| Costume & Make-Up | Fiona Nicolls | Costume Design |
