Everybody has problems these days, and Cheech and Chong are no exceptions. They're hired by Slyman and Habib to drive a limousine to Las Vegas with $5 million secretly stashed in the front seat. In order to get there, the pair sells off the car piece by piece, including the seven-figure front seat. Cheech and Chong then have a much bigger problem - Slyman and Habib are after them, swearing to kill them after the appropriate torture.
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| Production | Deborah Mannis | Associate Producer |
| Directing | Thomas K. Avildsen | Director |
| Editing | Dennis Dolan | Editor |
| Writing | Tommy Chong | Writer |
| Writing | Cheech Marin | Writer |
| Production | Pamela Basker | Casting |
| Production | Fern Champion | Casting |
| Camera | Bobby Byrne | Director of Photography |
| Production | Shelby Chong | Associate Producer |
| Production | Howard Brown | Producer |
| Sound | Gaye Delorme | Original Music Composer |
| Art | Richard Sawyer | Production Design |
| Camera | Bruce D. Spellman | Best Boy Grip |
| Costume & Make-Up | Marilyn Patricia Phillips | Hairstylist |
| Camera | Sidney Ray Baldwin | Still Photographer |
| Directing | June Samson | Script Supervisor |
| Lighting | John Hawn | Rigging Gaffer |
| Art | Kenneth D. Westcott | Property Master |
| Sound | Don Johnson | Production Sound Mixer |
| Production | Robert Maharis | Location Manager |
| Production | Dean O'Brien | Unit Production Manager |
| Costume & Make-Up | Patricia Bean | Wardrobe Supervisor |
| Sound | James J. Klinger | Supervising Sound Editor |
| Sound | Jules Strasser | Boom Operator |
| Camera | Dale Alexander | Grip |
| Production | Claude Binyon Jr. | Unit Production Manager |
| Costume & Make-Up | Rick Sharp | Key Makeup Artist |
| Sound | Else Blangsted | Music Editor |
| Lighting | James F. Boyle | Gaffer |
| Crew | Phil Cory | Special Effects |
| Production | Mary Cay Hollander | Production Coordinator |
| Camera | Ted T. Sugura | Camera Operator |
| Costume & Make-Up | George L. Little | Wardrobe Assistant |
| Crew | Thomas R. Ward | Special Effects |
| Costume & Make-Up | Christina Smith | Makeup Artist |
| Costume & Make-Up | Terri Cannon | Key Hair Stylist |
| Art | Kenneth E. Riley | Assistant Property Master |
| Sound | Tom Beckert | Sound Re-Recording Mixer |
| Directing | Pat Kehoe | First Assistant Director |
| Camera | Charles Saldaña | Key Grip |
| Production | Jerry Anderson | Casting Assistant |
| Editing | Don Brochu | Assistant Editor |
| Directing | Bob Roe | Second Assistant Director |
| Art | Gary Moreno | Set Decoration |
| Camera | Eric Engler | Assistant Camera |
| Costume & Make-Up | Linda Matthews | Wardrobe Assistant |
| Sound | Wayne Artman | Sound Re-Recording Mixer |
| Sound | Rick Alexander | Sound Re-Recording Mixer |
| Sound | Frank White | Sound Editor |
| Sound | Jas Klinger | Assistant Sound Editor |
| Camera | Mark Simon | Assistant Camera |
| Sound | Skip Macdonald | Assistant Sound Editor |
| Camera | William Birch | Second Unit Director of Photography |
| Camera | Peter Kuttner | Assistant Camera |
| Camera | Kirk Bales | Dolly Grip |
| Art | S. Bruce Wineinger | Construction Coordinator |
| Art | Kevin Conlin | Construction Foreman |
| Editing | Roger Greene | Assistant Editor |
| Camera | Alan R. Disler | Assistant Camera |
| Crew | Hans Metz | Special Effects |
| Crew | Dick Cross | Special Effects |
