An investigator from the War Crimes Commission travels to Connecticut to find an infamous Nazi, who may be hiding out in a small town in the guise of a distinguished professor engaged to the Supreme Court Justice’s daughter.
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| Writing | Anthony Veiller | Screenplay |
| Editing | Ernest J. Nims | Editor |
| Art | Perry Ferguson | Production Design |
| Production | Sam Spiegel | Producer |
| Directing | Orson Welles | Director |
| Camera | Russell Metty | Director of Photography |
| Writing | Gladys Hill | Dialogue |
| Sound | Corson Jowett | Sound Editor |
| Sound | Arthur Johns | Sound Director |
| Costume & Make-Up | Robert Cowan | Makeup Artist |
| Writing | Victor Trivas | Adaptation |
| Writing | Decla Dunning | Adaptation |
| Camera | Buddy Longworth | Still Photographer |
| Costume & Make-Up | Michael Woulfe | Costume Designer |
| Writing | Victor Trivas | Original Story |
| Crew | Denis Morrison | Unit Publicist |
| Camera | John L. Russell | Camera Operator |
| Sound | Bronislau Kaper | Original Music Composer |
| Sound | Sidney Cutner | Orchestrator |
| Sound | Harold Byrns | Orchestrator |
| Sound | Corson Jowett | Sound |
| Production | John Huston | Producer |
| Crew | David Sharpe | Stunts |
| Directing | Jack Voglin | Assistant Director |
| Editing | Paul Weatherwax | Supervising Editor |
| Production | James C. Pratt | Assistant Production Manager |
| Art | Albert S. D'Agostino | Art Direction |
| Sound | Arthur Johns | Sound |
| Sound | Leo Shuken | Orchestrator |
| Crew | Harry Redmond Jr. | Special Effects |
| Production | Milton Howe | Publicist |
| Production | Bernard McEveety | Production Manager |
| Writing | John Huston | Co-Writer |
| Writing | Orson Welles | Co-Writer |
