Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.
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Directing | Terry George | Director |
Writing | Keir Pearson | Author |
Art | Tony Burrough | Production Design |
Writing | Keir Pearson | Screenplay |
Camera | Robert Fraisse | Director of Photography |
Sound | Martin Russell | Original Music Composer |
Sound | Andrea Guerra | Original Music Composer |
Writing | Terry George | Screenplay |
Production | Richard Pagano | Casting |
Writing | Terry George | Author |
Sound | Rupert Gregson-Williams | Original Music Composer |
Editing | Naomi Geraghty | Editor |
Art | Johnny Breedt | Production Design |
Production | Moonyeenn Lee | Casting |
Production | A. Kitman Ho | Producer |
Production | Hal Sadoff | Executive Producer |
Production | Nicolas Meyer | Co-Executive Producer |
Production | A. Kitman Ho | Unit Production Manager |
Sound | Nigel Stone | Dialogue Editor |
Sound | Andie Derrick | Foley Artist |
Production | Sam Bhembe | Executive Producer |
Sound | Tom Johnson | Sound Re-Recording Mixer |
Sound | Mark Paterson | Foley Mixer |
Sound | Michael Connell | Music Editor |
Production | Jane Trower | First Assistant Accountant |
Production | Izidore Codron | Co-Executive Producer |
Sound | John Midgley | Production Sound Mixer |
Lighting | Bruce Thomas | Chief Lighting Technician |
Sound | June Prinz | Boom Operator |
Visual Effects | Gavin Meadon | Special Effects Supervisor |
Production | Luigi Musini | Co-Producer |
Directing | Lionel Steketee | First Assistant Director |
Directing | Alex Oakley | Second Assistant Director |
Sound | Mike Wood | Foley Editor |
Sound | David Sutton | Boom Operator |
Production | Alistair Thompson | Production Accountant |
Directing | A. Kitman Ho | Second Unit Director |
Camera | Kevin Jewison | "A" Camera Operator |
Sound | Conor Mackey | ADR Editor |
Production | Francesco Melzi d'Eril | Executive Producer |
Camera | Charl Phyfer | Key Grip |
Sound | Andy Kennedy | Sound Effects Editor |
Sound | Nick Lowe | ADR Editor |
Production | Keir Pearson | Co-Executive Producer |
Camera | Deon Vermeulen | "B" Camera Operator |
Sound | Peter Burgis | Foley Artist |
Sound | Doug Cooper | Sound Re-Recording Mixer |
Sound | Paul Carr | Foley Mixer |
Production | Bridget Pickering | Co-Producer |
Production | Elaine Burt | Production Coordinator |
Crew | David Mahlangu | Special Effects Coordinator |
Production | Martin Katz | Executive Producer |
Camera | Deon Vermeulen | Steadicam Operator |
Sound | Guy Fletcher | Sound Mixer |
Production | Sally French | Line Producer |
Production | Terry George | Producer |
Costume & Make-Up | Suzanne Stokes-Munton | Hair Department Head |
Production | Brendan Donnison | Casting |
Costume & Make-Up | Ruy Filipe | Costume Design |
Camera | Vincent G. Cox | Camera Operator |
Crew | Graham Press | Stunt Coordinator |
Editing | Nicci Van Niekerk | Assistant Editor |
Editing | Kenny Becker | Color Timer |
Production | Roberto Cicutto | Executive Producer |
Production | Sarah Trevis | Casting |
Production | Belinda Kruger | Casting Associate |
Camera | Blid Alsbirk | Still Photographer |
Art | Emma MacDevitt | Art Direction |
Costume & Make-Up | Tania Brooke | Makeup Artist |
Directing | Lisa Vick | Script Supervisor |
Crew | Alistair Hopkins | Post Production Supervisor |
Production | Vanessa Baker | Casting |
Production | Paula Jalfon | Unit Production Manager |
Costume & Make-Up | Suzanne Belcher | Makeup Department Head |
Production | Duncan Reid | Executive Producer |