In 1965, passionate musician Glenn Holland takes a day job as a high school music teacher, convinced it's just a small obstacle on the road to his true calling: writing a historic opus. As the decades roll by with the composition unwritten but generations of students inspired through his teaching, Holland must redefine his life's purpose.
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| Production | Michael Nolin | Producer |
| Production | Robert W. Cort | Producer |
| Sound | Michael Kamen | Original Music Composer |
| Camera | Oliver Wood | Director of Photography |
| Production | Ted Field | Producer |
| Directing | Stephen Herek | Director |
| Directing | Adrienne Hamalian-Mangine | Script Supervisor |
| Production | Valerie Mickaelian Kucera | Production Coordinator |
| Production | William Teitler | Unit Production Manager |
| Art | Jan K. Bergstrom | Set Decoration |
| Sound | Sharon Boyle | Music Supervisor |
| Production | Sharon Bialy | Casting |
| Production | Scott Kroopf | Executive Producer |
| Production | Judith James | Co-Producer |
| Production | Patrick Sheane Duncan | Executive Producer |
| Costume & Make-Up | Susan V. Kalinowski | Hairstylist |
| Sound | Tim Chau | Supervising Sound Editor |
| Crew | Steve Boyum | Stunt Coordinator |
| Art | David Nichols | Production Design |
| Costume & Make-Up | Aggie Guerard Rodgers | Costume Design |
| Costume & Make-Up | Mary L. Pyanowski | Hairstylist |
| Camera | Gemma La Mana | Still Photographer |
| Costume & Make-Up | Gerald Quist | Makeup Artist |
| Production | William Teitler | Co-Producer |
| Costume & Make-Up | Ken Chase | Makeup Artist |
| Editing | Trudy Ship | Editor |
| Costume & Make-Up | Martin 'Vinnie' Hagood | Makeup Artist |
| Camera | William D. Barber | Camera Operator |
| Sound | Richard C. Franklin | Supervising Sound Editor |
| Production | Jeffrey Downer | Production Supervisor |
| Art | Dina Lipton | Art Direction |
| Costume & Make-Up | Werner Sherer | Key Hair Stylist |
| Camera | David Luckenbach | Steadicam Operator |
| Art | Alan Manzer | Set Designer |
| Camera | Bob Muñoz | Key Grip |
| Sound | Chris Jargo | ADR Editor |
| Sound | Donald J. Malouf | Sound Editor |
| Sound | Thomas Whiting | Supervising ADR Editor |
| Camera | Nick Papanickolas | Dolly Grip |
| Costume & Make-Up | Linda Henrikson | Costume Supervisor |
| Art | Brian Markey | Construction Coordinator |
| Lighting | Michael Laws | Best Boy Electric |
| Sound | Christopher Brooks | Supervising Music Editor |
| Sound | Albert Gasser | Sound Editor |
| Sound | David Kern | Sound Editor |
| Editing | Tara Timpone | First Assistant Editor |
| Production | Joanna Guzzetta | Location Manager |
| Crew | Bruce McDonald | Choreographer |
| Directing | Jeffrey Wetzel | First Assistant Director |
| Art | Alan Locke | Set Designer |
| Art | Greg McMickle | Property Master |
| Sound | Earl Sampson | Boom Operator |
| Lighting | James B. Crawford | Chief Lighting Technician |
| Sound | Nils C. Jensen | Sound Editor |
| Crew | Bob Riggs | Special Effects Coordinator |
| Camera | Gene Kearney | Dolly Grip |
| Sound | Stephen McLaughlin | Scoring Mixer |
| Crew | Stephen McLaughlin | Score Engineer |
| Writing | Patrick Sheane Duncan | Writer |
