This melodrama investigates the life of a sex worker, in a pseudo-documentary style.
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Directing | Ken Russell | Director |
Art | Naomi Shohan | Art Direction |
Production | Michael D. Pariser | Line Producer |
Production | Mark Amin | Executive Producer |
Production | Dan Ireland | Producer |
Editing | Brian Tagg | Editor |
Production | Joseph Akerman | Executive In Charge Of Production |
Writing | David Hines | Theatre Play |
Sound | Michael Gibbs | Original Music Composer |
Writing | Ken Russell | Screenplay |
Production | Linda Francis | Casting |
Art | Richard B. Lewis | Production Design |
Costume & Make-Up | Leonard Pollack | Costume Design |
Writing | Deborah Dalton | Screenplay |
Production | Ronaldo Vasconcellos | Producer |
Camera | Anthony F. Balderrama | First Assistant Camera |
Camera | Donald Burghardt | Second Assistant Camera |
Sound | Steve Day | Boom Operator |
Directing | Jan McWilliams | Script Supervisor |
Costume & Make-Up | Rebekah Alvi | Wardrobe Assistant |
Camera | Marsha Blackburn | Still Photographer |
Directing | Robin Leigh Fleck | Second Second Assistant Director |
Costume & Make-Up | Gail McMullen | Assistant Costume Designer |
Lighting | John Zumpano | Gaffer |
Costume & Make-Up | Ron Wild | Key Makeup Artist |
Directing | Deborah A. Dell'Amico | First Assistant Director |
Camera | Ken Russell | Camera Operator |
Art | Blanche Sindelar | Property Master |
Art | Philip Steuer | Property Master |
Camera | Alex Nepomniaschy | Additional Photography |
Art | Amy Wells | Set Decoration |
Camera | Mark Shane Davis | Key Grip |
Directing | Kate Lewis | Script Supervisor |
Lighting | Kenny Christiansen | Best Boy Electric |
Lighting | Sergio Pirojnikov | Electrician |
Lighting | Matthew May | Electrician |
Camera | Tony Mazzucchi | Best Boy Grip |
Production | Betsy Danbury | Production Accountant |
Sound | Thomas Brandau | Sound Mixer |
Production | Michael D. Pariser | Unit Production Manager |
Production | Sharon Morov | Production Coordinator |
Production | Randall M. Boyd | Assistant Production Coordinator |
Costume & Make-Up | Carlos David Amador | Makeup Artist |
Lighting | David Salamone | Electrician |
Directing | Aaron Barsky | First Assistant Director |
Directing | Janet Van Etten | Second Assistant Director |
Costume & Make-Up | Carlos David Amador | Hairstylist |
Production | Alison Sellin | Assistant Accountant |
Camera | Amy Laakman-Davis | Grip |
Art | David Hollen | Set Dresser |
Crew | Jeff Smolek | Stunt Coordinator |
Sound | Kevin Benson | Music Supervisor |
Camera | Robert J. Studenny | Grip |
Sound | Clive A. Mitchison | ADR Supervisor |
Production | Scott Whited | Production Assistant |
Art | Eden Banas | Assistant Property Master |
Sound | Michael Hopkins | Dialogue Editor |
Crew | Pat Jackson | Transportation Coordinator |
Crew | Dana Dru Evenson | Stunt Double |
Production | Vanessa G. Bardliving | Production Assistant |
Art | Dan Whifler | Construction Coordinator |
Camera | Levon Besnelian | Dolly Grip |
Camera | Billy Pierson | Dolly Grip |
Camera | Louis Cicero | Grip |
Sound | Donald Zuckerman | Music Supervisor |
Camera | Matt Mania | Grip |
Sound | Nigel Galt | Sound Editor |
Camera | Kevin 'Rambo' Fitzgerald | Grip |
Art | Norman West | Set Dresser |
Crew | Bruce Edward Smith | Transportation Captain |
Sound | Craig Clark | ADR Supervisor |
Editing | Steven M. Buono | First Assistant Editor |
Art | Ray Maxwell | Leadman |
Sound | Brian Tagg | Music Editor |
Production | Tom Gianakopoulos | Production Assistant |
Camera | Amir Mokri | Director of Photography |