Fired from his job, a former executive turns to impregnating wealthy lesbians for profit.
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| Directing | Spike Lee | Director |
| Writing | Michael Genet | Screenplay |
| Writing | Spike Lee | Screenplay |
| Writing | Michael Genet | Story |
| Production | Spike Lee | Producer |
| Production | Preston L. Holmes | Producer |
| Production | Fernando Sulichin | Producer |
| Costume & Make-Up | Donna Berwick | Costume Design |
| Editing | Barry Alexander Brown | Editor |
| Art | Brigitte Broch | Production Design |
| Camera | Matthew Libatique | Director of Photography |
| Production | Craig M. Spitzer | Co-Producer |
| Sound | Terence Blanchard | Original Music Composer |
| Camera | Lamont Crawford | Key Grip |
| Directing | Mike Ellis | First Assistant Director |
| Art | Richard Hebrank | Construction Coordinator |
| Costume & Make-Up | Anita Gibson | Key Makeup Artist |
| Sound | Todd Bozung | Music Supervisor |
| Production | Jamel Debbouze | Executive Producer |
| Production | Jean Cazes | Executive Producer |
| Sound | Ken Ishii | Sound Mixer |
| Costume & Make-Up | Leonard Drake | Key Hair Stylist |
| Visual Effects | Randall Balsmeyer | Visual Effects Supervisor |
| Sound | Philip Stockton | Supervising Sound Editor |
| Art | Kevin Ladson | Property Master |
| Production | Hakim Quest | Post Production Coordinator |
| Production | Kim Taylor-Coleman | Casting Director |
| Production | David Pomier | Unit Production Manager |
| Visual Effects | Kathy Kelehan | Visual Effects Producer |
| Lighting | John G. Velez | Gaffer |
| Production | Colin Cumberbatch | Production Supervisor |
| Art | Ford Wheeler | Set Decoration |
| Production | Tom Yeager | Location Manager |
| Directing | Tracey Hinds | Second Assistant Director |
| Visual Effects | Diane Pearlman | Animation |
| Sound | Karl Wasserman | Boom Operator |
