Banks is a hit man, the best, usually working for Latin American drug cartels. He picks up solitary women, uses them briefly for a job, then kills them. He's in the Southwest, headed toward Mexico, when he picks up Bennie, a woman leaving an abusive marriage, going to Paradise, Arizona. The film follows three tracks: Banks's slow recruitment of Bennie, the set-up for the hit at a swank resort in Mexico, and the FBI's close pursuit of Banks, whom they want alive in hopes he'll rat out his bosses. Bennie may not be who she seems, and there may be a chink in Banks's tough-guy armor. Guns, money, and a chance at Paradise.
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| Production | David Yudain | Producer |
| Camera | John Newby | Director of Photography |
| Production | Meg Ryan | Producer |
| Production | Steve Brooksbank | Casting |
| Sound | Richard Marvin | Original Music Composer |
| Directing | Richard Greenberg | Director |
| Writing | Wally Nichols | Screenplay |
| Production | Nina R. Sadowsky | Producer |
| Editing | John Newby | Editor |
| Writing | Richard Greenberg | Screenplay |
| Production | William Ostroff | Production Assistant |
| Crew | Gloria Alexandra | Stunts |
| Art | Jon Danniells | Set Decoration |
| Costume & Make-Up | Alexis Scott | Costume Design |
| Production | Ed Cathell III | Co-Producer |
| Directing | Peter Thorell | Second Assistant Director |
| Camera | Christopher Tufty | Second Unit Director of Photography |
| Production | Andreas Klein | Executive Producer |
| Crew | Lou Simon | Stunt Coordinator |
| Crew | Mam Smith | Stunt Double |
| Art | Marc Fisichella | Production Design |
| Production | Graham King | Executive Producer |
| Production | Michael Greenberg | Executive Producer |
| Crew | Wayne Beauchamp | Special Effects Coordinator |
| Costume & Make-Up | Martina Kohl | Makeup Artist |
