Taking over Leeds United, Brian Clough's abrasive approach and his clear dislike of the players' dirty style of play make it certain there is going to be friction. Glimpses of his earlier career help explain both his hostility to previous manager Don Revie and how much he is missing right-hand man Peter Taylor.
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| Writing | Peter Morgan | Screenplay |
| Production | Lee Morris | Producer |
| Production | Andy Harries | Producer |
| Production | Grainne Marmion | Producer |
| Production | Dan Hubbard | Casting |
| Art | Eve Stewart | Production Design |
| Production | Christine Langan | Executive Producer |
| Production | Peter Morgan | Executive Producer |
| Camera | Ben Smithard | Director of Photography |
| Directing | Tom Hooper | Director |
| Writing | David Peace | Novel |
| Production | Hugo Heppell | Executive Producer |
| Editing | Melanie Oliver | Editor |
| Sound | Rob Lane | Original Music Composer |
| Costume & Make-Up | Jan Archibald | Makeup Designer |
| Costume & Make-Up | Nicola Mount | Makeup & Hair |
| Costume & Make-Up | Mike O'Neill | Costume Design |
| Directing | Tom Rye | Second Assistant Director |
| Sound | Lee Walpole | Supervising Sound Editor |
| Crew | Ben Ashmore | Special Effects Coordinator |
| Camera | Alex Fitton | Camera Trainee |
| Costume & Make-Up | Caitlin Tanner | Makeup & Hair |
| Art | Jason Bond | Property Master |
| Sound | Jack Stew | Foley Artist |
| Camera | Adam Coles | Focus Puller |
| Costume & Make-Up | Jan Archibald | Hair Designer |
| Production | Mally Chung | Unit Manager |
| Visual Effects | Paul Kelly | Special Effects Supervisor |
| Crew | Peter Pedrero | Stunt Coordinator |
| Art | Jean Challender | Art Department Coordinator |
| Art | Alison Staples | Graphic Designer |
| Sound | Philip Porter | Boom Operator |
| Lighting | Stuart Drummond | Gaffer |
| Camera | Laurie Sparham | Still Photographer |
| Sound | Liz Gallacher | Music Supervisor |
| Directing | Jemima Thomas | Script Supervisor |
| Crew | Darren Hayward | Carpenter |
| Art | Leon McCarthy | Art Direction |
| Art | Martin Parker | Construction Manager |
| Sound | Darrell Alexander | Music Coordinator |
| Production | Penelope Robinson | Production Accountant |
| Directing | Gemma Nunn | Third Assistant Director |
| Editing | Chris McGloin | First Assistant Editor |
| Sound | Paul Hamblin | Sound Re-Recording Mixer |
| Editing | Ben Renton | Assistant Editor |
| Sound | Andrea King | Foley Artist |
| Sound | Forbes Noonan | Foley Supervisor |
| Crew | Graeme McHugh | Scenic Artist |
| Art | Andrew Holden-Stokes | Supervising Art Director |
| Sound | Martin Beresford | Sound Mixer |
| Crew | Charles Ramsay | Stunts |
| Lighting | Steve Gartside | Electrician |
| Camera | Ronan Murphy | Key Grip |
| Costume & Make-Up | Rachael Speke | Makeup & Hair |
| Sound | Dawn Gough | Assistant Sound Editor |
| Crew | Ian Pead | Stunts |
| Editing | Gareth Spensley | Colorist |
| Crew | Carol Carmichael | Set Medic |
| Crew | Penny Dyer | Dialect Coach |
| Crew | Alistair Hopkins | Post Production Supervisor |
| Production | Monique Mussell | Production Manager |
| Camera | Richard Lawson | Focus Puller |
| Directing | Martin Curry | First Assistant Director |
| Sound | Matthew Skelding | Dialogue Editor |
| Crew | Roy Taylor | Stunts |
| Camera | Vince McGahon | Steadicam Operator |
