When hedonistic but charming con man Elmer Gantry meets the beautiful Sister Sharon Falconer, a roadside revivalist, he feigns piousness to join her act as a passionate preacher. The two make a successful onstage pair, and their chemistry extends to romance. Both the show and their relationship are threatened, however, when one of Gantry's ex-lovers decides that she has a score to settle with the charismatic performer.
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| Writing | Richard Brooks | Screenplay |
| Camera | John Alton | Director of Photography |
| Sound | André Previn | Original Music Composer |
| Writing | Sinclair Lewis | Novel |
| Art | Edward Carrere | Art Direction |
| Directing | Richard Brooks | Director |
| Editing | Marjorie Fowler | Editor |
| Production | Bernard Smith | Producer |
| Crew | Bob Herron | Stunts |
| Crew | Charles Horvath | Stunts |
| Crew | Al Carmichael | Stunts |
| Crew | Paul Baxley | Stunts |
| Camera | James Saper | Assistant Camera |
| Camera | Andrew J. McIntyre | Camera Operator |
| Camera | John Livesley | Key Grip |
| Sound | Harry D. Mills | Sound |
| Costume & Make-Up | Dorothy Jeakins | Costume Design |
| Art | Frank Tuttle | Set Decoration |
| Costume & Make-Up | Joan St. Oegger | Hairstylist |
| Costume & Make-Up | Robert J. Schiffer | Makeup Artist |
| Production | Gilbert Kurland | Production Manager |
| Costume & Make-Up | Harry Maret | Makeup Artist |
| Sound | Ken Darby | Music Supervisor |
| Sound | Fred J. Brown | Sound Effects Editor |
| Directing | Tom Shaw | Assistant Director |
| Art | William F. Calvert | Set Decoration |
