In 1943, while the Allies are bombing Berlin and the Gestapo is purging the capital of Jews, a dangerous love affair blossoms between two women – one a Jewish member of the underground, the other an exemplar of Nazi motherhood.
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Directing | Max Färberböck | Director |
Writing | Erica Fischer | Novel |
Writing | Max Färberböck | Screenplay |
Writing | Rona Munro | Screenplay |
Production | Günter Rohrbach | Producer |
Sound | Jan A. P. Kaczmarek | Original Music Composer |
Editing | Barbara Hennings | Editor |
Production | Risa Kes | Casting |
Art | Uli Hanisch | Art Direction |
Art | Katja Schmidt | Set Decoration |
Costume & Make-Up | Barbara Baum | Costume Design |
Costume & Make-Up | Horst Allert | Makeup Artist |
Costume & Make-Up | Gerhard Nemetz | Makeup Artist |
Production | Hanno Huth | Producer |
Camera | Tony Imi | Director of Photography |
Production | Feliks Pastusiak | Line Producer |
Production | Lew Rywin | Executive Producer |
Production | Stefaan Schieder | Line Producer |
Production | Gerhard von Halem | Supervising Producer |
Art | Albrecht Konrad | Production Design |
Costume & Make-Up | Zygmunt Kaźmierski | Hair Designer |
Costume & Make-Up | Gerlinde Kunz | Makeup Artist |
Production | Jerzy Kajetan Frykowski | Production Manager |
Production | Mathias Schwerbrock | Production Manager |
Directing | Anette Böck | Third Assistant Director |
Directing | Tanja Däberitz | Second Assistant Director |
Directing | Mariusz Gawryś | Second Assistant Director |
Directing | Zbigniew Macków | Third Assistant Director |
Directing | Eva-Maria Schönecker | First Assistant Director |
Sound | Hubert Bartholomae | Sound Designer |
Sound | Friedrich M. Dosch | Sound Designer |
Sound | Michael Kranz | Sound Mixer |
Sound | Jörn Poetzl | Sound Editor |
Sound | Benjamin Schubert | Sound |
Sound | Silvana Zafosnik | Sound Editor |
Crew | Harry Wiesenhaan | Special Effects |
Crew | Gerd Grzesczak | Stunt Coordinator |
Art | George Dean | Painter |