During the revolution, a high-stakes gambler arrives in Cuba seeking to win big in poker games. Along the way, he meets and falls in love with the wife of a Communist revolutionary.
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| Directing | Sydney Pollack | Director |
| Writing | David Rayfiel | Screenplay |
| Writing | Judith Rascoe | Screenplay |
| Production | Sydney Pollack | Producer |
| Production | Richard A. Roth | Producer |
| Production | Ronald L. Schwary | Executive Producer |
| Camera | Owen Roizman | Director of Photography |
| Editing | Fredric Steinkamp | Editor |
| Editing | William Steinkamp | Editor |
| Production | Lynn Stalmaster | Casting |
| Art | Terence Marsh | Production Design |
| Art | George Richardson | Art Direction |
| Art | Steve George | Set Decoration |
| Art | Michael Seirton | Set Decoration |
| Costume & Make-Up | Bernie Pollack | Costume Design |
| Costume & Make-Up | Lisa Tomblin | Hairstylist |
| Costume & Make-Up | Mary Ann Valdes | Hairstylist |
| Costume & Make-Up | Mark Wittenberg | Makeup Artist |
| Sound | Martin Trevis | Boom Operator |
| Crew | Tony Vandenecker | Special Effects Coordinator |
| Camera | Rob Hahn | Camera Operator |
| Production | Robin Citrin | Location Manager |
| Crew | Vincent Paterson | Choreographer |
| Writing | Judith Rascoe | Story |
| Sound | Dave Grusin | Original Music Composer |
| Directing | David Tomblin | First Assistant Director |
| Sound | Don Brown | Sound Engineer |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Sound | J. Paul Huntsman | Supervising Sound Editor |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Sound | Mark Smith | Sound Re-Recording Mixer |
| Sound | Joel Valentine | Sound Effects Editor |
| Sound | Brad Sherman | Sound Effects Editor |
