Set in 1960s Sydney, this is the story of an Australian gangster whose booming business, buoyed by the influx of U.S. soldiers in town for R&R during their tours in Vietnam, attracts the attention of first the Chicago mafia, and then their East Coast competitors.
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| Writing | David Caesar | Writer |
| Directing | David Caesar | Director |
| Camera | Jay Torta | Clapper Loader |
| Camera | Warren Grieef | Key Grip |
| Camera | Matt Toll | First Assistant "A" Camera |
| Camera | Geoffrey Hall | Director of Photography |
| Camera | Simon Williams | Clapper Loader |
| Camera | Matt Toll | Focus Puller |
| Camera | Brad Soterkoek | Assistant Grip |
| Camera | Marc Spicer | Second Unit Director of Photography |
| Camera | Jason Weekes | Grip |
| Lighting | Karl Engeler | Gaffer |
| Camera | Lisa Tomasetti | Still Photographer |
| Camera | Jason Binnie | Focus Puller |
| Directing | Jamie Crooks | First Assistant Director |
| Directing | Jason Faulkner | Second Assistant Director |
| Crew | Chris Mitchell | Stunt Double |
| Directing | Greg Cobain | Third Assistant Director |
| Crew | Glenn Boswell | Stunt Coordinator |
| Crew | Darren Mitchell | Stunt Double |
| Crew | Keir Beck | Stunt Double |
| Crew | Shea Adams | Stunt Double |
| Directing | Kristin Witcombe | Continuity |
| Crew | Raelene Chapman | Stunt Double |
| Crew | Paul Phillips | Stunt Double |
| Writing | Robyn Sinclair | Script Consultant |
| Production | Ben Breen | Production Accountant |
| Crew | Peter Cogar | Armorer |
| Sound | Nigel Christensen | Sound Effects Editor |
| Visual Effects | John Bowring | Special Effects Supervisor |
| Sound | Liam Egan | Supervising Sound Editor |
| Visual Effects | Paul Butterworth | Visual Effects Supervisor |
| Production | Shauna Wolifson | Casting |
| Costume & Make-Up | Tess Schofield | Costume Designer |
| Sound | Alicia Slusarski | Sound Effects Editor |
| Crew | Gordon MacPhail | Post Production Supervisor |
| Editing | Mark Perry | Editor |
| Art | Chris Batson | Art Direction |
| Sound | Jenny T. Ward | Dialogue Editor |
| Sound | Phil Judd | Sound Re-Recording Mixer |
| Art | Chris Kennedy | Production Design |
| Visual Effects | Jason Bath | Visual Effects Producer |
| Art | Beverley Dunn | Set Decoration |
| Production | Natasha Cali | Production Coordinator |
| Costume & Make-Up | Viv Mepham | Hair Designer |
| Art | Marianne Evans | Art Department Coordinator |
| Costume & Make-Up | Viv Mepham | Makeup Designer |
| Costume & Make-Up | Kylie Clarke | Wigmaker |
| Production | Jennie Hughes | Co-Executive Producer |
| Sound | Paul Finlay | Sound Recordist |
| Costume & Make-Up | Mel Dykes | Costume Supervisor |
| Production | Russell Boyd | Location Manager |
| Crew | Bill Undery | Scenic Artist |
| Costume & Make-Up | Erica Wells | Makeup & Hair |
| Production | Julie Sims | Production Manager |
| Costume & Make-Up | Jan Zeigenbein | Key Hair Stylist |
| Production | Hugh Marks | Co-Executive Producer |
| Art | Tam Morris | Storyboard Artist |
| Production | Grayden Le Breton | Unit Manager |
| Sound | Tim Rogers | Original Music Composer |
