Marion is a woman who has learned to shield herself from her emotions. She rents an apartment to work undisturbed on her new book, but by some acoustic anomaly she can hear all that is said in the next apartment in which a psychiatrist holds his office. When she hears a young woman tell that she finds it harder and harder to bear her life, Marion starts to reflect on her own life. After a series of events she comes to understand how her unemotional attitude towards the people around her affected them and herself.
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| Writing | Woody Allen | Screenplay |
| Camera | Sven Nykvist | Director of Photography |
| Directing | Woody Allen | Director |
| Art | Glenn Lloyd | Art Department Coordinator |
| Art | James Mazzola | Property Master |
| Art | Ron Petagna | Construction Coordinator |
| Sound | James Sabat | Production Sound Mixer |
| Art | James A. Davis | Location Scout |
| Production | Ellen Lewis | Casting Associate |
| Directing | Ken Ornstein | Second Assistant Director |
| Directing | Kay Chapin | Script Supervisor |
| Crew | James Sorice | Key Scenic Artist |
| Production | Judie Fixler | Additional Casting |
| Production | Juliet Taylor | Casting |
| Costume & Make-Up | Melissa Stanton | Wardrobe Supervisor |
| Editing | Bill Lattanzi | Assistant Editor |
| Directing | Thomas A. Reilly | First Assistant Director |
| Production | Helen Robin | Production Coordinator |
| Camera | Kathina Szeto | Camera Trainee |
| Crew | Carl Turnquest | Projection |
| Camera | Robert Ward | Key Grip |
| Crew | Harold 'Whitey' McEvoy | Transportation Captain |
| Camera | Michael Green | Assistant Camera |
| Camera | Ronald Burke | Dolly Grip |
| Art | Lee Sachs | Location Scout |
| Lighting | Jim Manzione | Best Boy Electric |
| Art | Fred Merusi | Standby Carpenter |
| Crew | Cosmo Sorice | Scenic Artist |
| Art | Arne Olsen | Key Construction Grip |
| Sound | Frank Graziadei | Sound Recordist |
| Sound | Sylvia Menno | Apprentice Sound Editor |
| Production | Jonathan Filley | Location Manager |
| Camera | Brian Hamill | Still Photographer |
| Art | Dave Weinman | Set Dresser |
| Camera | Michael Caracciolo | Second Assistant Camera |
| Sound | Gina Alfano | Assistant Sound Editor |
| Production | Todd M. Thaler | Additional Casting |
| Production | Lisa Fisher | Assistant Production Coordinator |
| Crew | Peter Tavis | Transportation Co-Captain |
| Lighting | Ray Quinlan | Gaffer |
| Costume & Make-Up | Bill Christians | Wardrobe Supervisor |
| Editing | Jon Neuburger | Associate Editor |
| Art | Dana Robin | Location Scout |
| Sound | Louis Sabat | Boom Operator |
| Directing | Judy Ferguson | Additional Second Assistant Director |
| Art | Santo Loquasto | Production Design |
| Editing | Susan E. Morse | Editor |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Art | Speed Hopkins | Art Direction |
| Costume & Make-Up | Jeffrey Kurland | Costume Design |
| Sound | Robert Hein | Sound Editor |
| Art | George DeTitta Jr. | Set Decoration |
| Costume & Make-Up | Fern Buchner | Makeup Artist |
| Production | Charles H. Joffe | Executive Producer |
| Production | Robert Greenhut | Producer |
| Production | Jack Rollins | Executive Producer |
| Production | Helen Robin | Associate Producer |
| Production | Joseph Hartwick | Production Manager |
| Costume & Make-Up | Romaine Greene | Hairstylist |
| Camera | Dick Mingalone | Camera Operator |
| Production | Thomas A. Reilly | Associate Producer |
| Costume & Make-Up | Lauren Gibson | Costume Assistant |
| Costume & Make-Up | Judy L. Ruskin | Assistant Costume Designer |
