Reporter Patsy Reynolds and photographer Eddie Porter are assigned to interview John Foster, head of the Emmerson Foundation regarding a listening device the organization is working on. Foster evades them and they to the lab to see Professor Reynolds, the real inventor. Soon, they are involved in several shootings, blueprints that change hands several times, a corpse in their car that appears and disappears a few times, the loss of their jobs and several people who either think they are killers or candidates for being killed.
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| Production | Sean McKittrick | Producer |
| Production | Michael Ohoven | Producer |
| Directing | Albert Herman | Director |
| Costume & Make-Up | George Gray | Makeup Artist |
| Directing | Lou Perlof | Assistant Director |
| Sound | Frank McWhorter | Sound Engineer |
| Crew | Ray Mercer | Special Effects |
| Camera | Ira H. Morgan | Director of Photography |
| Editing | Fred Bain | Editor |
| Art | Paul Palmentola | Art Direction |
| Art | George Bahr | Property Master |
| Sound | Lee Zahler | Music Director |
| Art | Harry Reif | Set Decoration |
| Writing | John T. Neville | Screenplay |
