In 1957, black lawyer John Williams has to defend his nephew Charlie, who is accused of strangling a white boy to death. John doesn't believe Charlie did it, and although Charlie confesses, John wants to find out the real truth.
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| Production | Mace Neufeld | Executive Producer |
| Crew | Bryan J. Thomas | Stunts |
| Costume & Make-Up | Martha Mann | Costume Designer |
| Editing | Stephen Lovejoy | Editor |
| Directing | Laurie Mirsky | First Assistant Director |
| Sound | Patrick Giraudi | Sound Re-Recording Mixer |
| Crew | John Stoneham Jr. | Stunt Coordinator |
| Lighting | Michael Auger | Gaffer |
| Sound | William Jacobs | Supervising Sound Editor |
| Costume & Make-Up | Lynda McCormack | Makeup Artist |
| Sound | Ron Carter | Original Music Composer |
| Directing | Bosede Williams | Script Supervisor |
| Art | Brendan Smith | Set Decoration |
| Crew | Robert Racki | Stunts |
| Camera | Rodney Charters | Director of Photography |
| Crew | John LaForet | Special Effects |
| Production | Ross Clydesdale | Casting |
| Production | Nick Grillo | Producer |
| Production | Beth Klein | Casting |
| Production | Alysha Wishingrad | Casting |
| Production | Romi Lassally | Associate Producer |
| Crew | Erron Gee | Stunts |
| Costume & Make-Up | Vonda K. Morris | Makeup Artist |
| Production | Steven Hewitt | Co-Executive Producer |
| Production | Robert Rehme | Executive Producer |
| Art | Greg Chown | Set Decoration |
| Directing | Rick Kush | Second Assistant Director |
| Art | Brandt Gordon | Art Direction |
| Art | Jeff Ginn | Production Design |
| Sound | Joe Barnett | Sound Re-Recording Mixer |
| Costume & Make-Up | Veronica Ciandre | Hairstylist |
| Directing | Ernest R. Dickerson | Director |
| Writing | Frank Military | Writer |
