At first, Dr. Sidney Schaefer feels honored and thrilled to be offered the job of the President's Analyst. But then the stress of the job and the paranoid spies that come with a sensitive government position get to him, and he runs away. Now spies from all over the world are after him, either to get him for their own side or to kill him and prevent someone else from getting him.
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| Directing | Theodore J. Flicker | Director |
| Costume & Make-Up | Sugar Blymyer | Hairstylist |
| Production | William Davidson | Unit Production Manager |
| Costume & Make-Up | Nellie Manley | Hair Supervisor |
| Writing | Theodore J. Flicker | Writer |
| Costume & Make-Up | Emile LaVigne | Makeup Artist |
| Camera | David M. Walsh | Camera Operator |
| Sound | John Wilkinson | Sound Recordist |
| Sound | Robert Post | Sound Recordist |
| Crew | Fred Lerner | Stunts |
| Costume & Make-Up | Wally Westmore | Makeup Supervisor |
| Crew | Bill Saito | Stunts |
| Visual Effects | Albert Whitlock | Matte Painter |
| Directing | Kurt Neumann | Assistant Director |
| Sound | Lalo Schifrin | Conductor |
| Lighting | Joe Smith | Gaffer |
| Crew | Larry Duran | Stunts |
| Crew | Kenny Endoso | Stunts |
| Sound | Emil Richards | Musician |
| Crew | Roger Creed | Stunts |
| Crew | Bill M. Ryusaki | Stunts |
| Sound | Lalo Schifrin | Original Music Composer |
| Camera | William A. Fraker | Director of Photography |
| Art | Al Roelofs | Art Direction |
| Costume & Make-Up | Jack Bear | Costume Design |
| Art | Pato Guzman | Production Design |
| Production | Stanley Rubin | Producer |
| Editing | Stuart H. Pappé | Editor |
| Art | Arthur Krams | Set Decoration |
| Production | Howard W. Koch | Executive Producer |
| Art | Hal Pereira | Art Direction |
| Art | Robert R. Benton | Set Decoration |
