Depressed and jaded after being dumped by her married boyfriend, aging beauty Minnie Moore wonders if she'll ever find love. After shaggy-haired parking lot attendant Seymour Moskowitz comes to her defense from an angry and rebuffed blind date, he falls hopelessly in love with her despite their myriad differences. Minnie reluctantly agrees to a date with Moskowitz, and, slowly but surely, an unlikely romance blossoms between the two.
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| Directing | John Cassavetes | Director |
| Writing | John Cassavetes | Writer |
| Costume & Make-Up | Helen Colvig | Costume Design |
| Production | Paul Donnelly | Associate Producer |
| Crew | Robert Heffernan | Post Production Supervisor |
| Directing | Kevin Donnelly | Assistant Director |
| Directing | Louis A. Stroller | Assistant Director |
| Art | Victor E. Petrotta Sr. | Property Master |
| Sound | Melvin M. Metcalfe Sr. | Sound |
| Camera | Lou Barlia | Camera Operator |
| Lighting | Norman Neil Cassaday | Gaffer |
| Camera | Charles Correll | First Assistant Camera |
| Camera | Lou Farkas | First Assistant Camera |
| Camera | Thomas Laughridge | Camera Operator |
| Camera | Donald E. Thorin | Camera Operator |
| Costume & Make-Up | Jules Melillo | Costumer |
| Sound | Bo Harwood | Music Supervisor |
| Directing | Dalonne Jackson | Script Supervisor |
| Production | Elaine Kagan | Producer's Assistant |
| Production | James Joyce | Producer's Assistant |
| Camera | Alric Edens | Director of Photography |
| Camera | Michael D. Margulies | Director of Photography |
| Camera | Arthur J. Ornitz | Director of Photography |
| Editing | Frederic L. Knudtson | Editor |
| Production | Al Ruban | Producer |
| Sound | Martin Scorsese | Sound Effects Editor |
