North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.
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| Camera | Oswald Morris | Director of Photography |
| Directing | Sidney Lumet | Director |
| Editing | Thelma Connell | Editor |
| Writing | R.S. Allen | Theatre Play |
| Writing | Ray Rigby | Screenplay |
| Production | Kenneth Hyman | Producer |
| Writing | Ray Rigby | Theatre Play |
| Art | Herbert Smith | Art Direction |
| Production | Clifton Brandon | Production Manager |
| Costume & Make-Up | George Partleton | Makeup Artist |
| Production | Raymond Anzarut | Associate Producer |
| Art | Herbert Smith | Art Direction |
| Sound | Fred Turtle | Sound Mixer |
| Costume & Make-Up | Elsa Fennell | Wardrobe Supervisor |
| Sound | Peter Musgrave | Sound Editor |
| Sound | A.W. Watkins | Recording Supervision |
| Directing | Pedro Vidal | Assistant Director |
| Sound | David Bowen | Sound Recordist |
| Camera | Brian West | Camera Operator |
| Directing | Lee Turner | Continuity |
| Directing | Frank Ernst | Assistant Director |
| Crew | George Montford | Technical Advisor |
