Mac, the two-fisted, savvy cop finds that he's being saddled with a new partner, a known burnout, to work with him on a new and difficult case. The new partner is Ellis, an amazing detective, one who puts Sherlock Holmes to shame with his lightning-fast deductions. But he keeps assuming the personalities of entire casts of Television shows. This can be a problem when people begin shooting at them.
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| Art | Edward 'Tantar' LeViseur | Property Master |
| Writing | Bob Clark | Writer |
| Costume & Make-Up | Clifford Capone | Costume Design |
| Art | David J. Negron Sr. | Production Illustrator |
| Art | Ralph Woollaston | Construction Foreman |
| Crew | Eric Meyerhofer | Special Effects |
| Crew | Phil Chong | Stunts |
| Camera | Scott R. Davis | Grip |
| Crew | Edwin Bowden | Transportation Captain |
| Production | John B. Griffin | Location Manager |
| Directing | Bob Clark | Director |
| Costume & Make-Up | Kip Bartlett | Set Dressing Artist |
| Sound | Bud Alper | Sound mixer |
| Sound | John Laing | Sound Editor |
| Sound | Peter Thillaye | Sound Effects Editor |
| Crew | Glenn Randall Jr. | Stunt Coordinator |
| Lighting | Danny Eccleston | Gaffer |
| Crew | Roe Fonvielle | Other |
| Writing | Richard Christian Matheson | Writer |
| Production | Judy Taylor | Casting |
| Sound | Ann Heeley-Ray | Sound Editor |
| Camera | Bobby Huber | Grip |
| Production | Chris Silver Finigan | Production Accountant |
| Production | Alan Greisman | Producer |
| Production | Marilyn Stonehouse | Unit Production Manager |
| Crew | Mark S. Turner | Scenic Artist |
| Sound | Terry Burke | Foley |
| Crew | David Blitstein | Special Effects |
| Crew | Derek N. Prusak | Stand In |
| Costume & Make-Up | Frank Bianco | Hairstylist |
| Production | Ted Zachary | Executive In Charge Of Production |
| Sound | Tom Gerard | Sound Re-Recording Mixer |
| Crew | Robert Dickman | Actor's Assistant |
| Writing | Richard Matheson | Writer |
| Production | Aaron Spelling | Producer |
| Costume & Make-Up | Francisco X. Pérez | Makeup Artist |
| Camera | Ross Reynolds | Helicopter Camera |
| Costume & Make-Up | Deborah Latham | Costume Supervisor |
| Art | Colin D. Irwin | Assistant Art Director |
| Sound | Brydon Baker III | Boom Operator |
| Crew | Peter Stader | Stunts |
| Editing | Stan Cole | Editor |
| Art | Harry Pottle | Production Design |
| Art | Frank Hendrick | Set Decoration |
| Sound | Kenneth Heeley-Ray | Supervising Sound Editor |
| Directing | Sandra M. Haskell | Script Supervisor |
| Production | René Dupont | Executive Producer |
| Art | Denise Exshaw | Set Decoration |
| Crew | Robert L. Guthrie | Special Effects |
| Crew | Jon H. Epstein | Stunts |
| Crew | Mike Johnson | Stunts |
| Camera | John Seakwood | Still Photographer |
| Camera | Michael E. Little | Camera Operator |
| Lighting | Alan Pickelsimer | Electrician |
| Crew | Greg Stancil | Driver |
| Camera | Cliff Fleming | Helicopter Camera |
| Production | Angela Heald | Production Manager |
| Production | Mike Fenton | Casting |
| Crew | Glenn Randall Jr. | Second Unit |
| Crew | James F. Oñate | Scenic Artist |
| Sound | Mark L. Mangino | Sound Effects Editor |
| Camera | Ted Churchill | Steadicam Operator |
| Lighting | Steve Spallone | Best Boy Electrician |
| Crew | Ross Reynolds | Other |
| Sound | John Gare | Sound Re-Recording Mixer |
| Sound | Alison Grace | ADR & Dubbing |
| Crew | Richard Wood | Special Effects |
| Crew | John-Clay Scott | Stunts |
| Production | Valorie Massalas | Casting |
| Sound | David Evans | Sound Effects Editor |
| Sound | Wayne Griffin | Sound Effects Editor |
| Camera | Tom Priestley Jr. | Camera Operator |
| Lighting | Keith 'Zoot' Byrne | Rigging Gaffer |
| Camera | Harry Hauss | Helicopter Camera |
| Crew | Randall Pickett | Craft Service |
| Art | Antonia Proscia | Other |
| Crew | Roy Arbogast | Special Effects Coordinator |
| Crew | Ernie Malik | Unit Publicist |
| Production | Edward Bowen | Location Manager |
| Camera | Tony Hardmon | Grip |
| Art | Jim Brinson | Construction Coordinator |
| Crew | Richard E. Butler | Stunts |
| Camera | Jeff 'Moose' Howery | Grip |
| Production | Shauna L. Kroen | Production Accountant |
| Costume & Make-Up | Michael R. Thomas | Makeup Artist |
| Art | Tim Eckel | Set Designer |
| Art | John R. Helton | Lead Painter |
| Crew | Orwin C. Harvey | Stunts |
| Crew | William Allison Jr. | Transportation Coordinator |
| Crew | Anthony Cecere | Stunts |
| Sound | David Appleby | Sound Re-Recording Mixer |
| Camera | Reginald H. Morris | Director of Photography |
| Costume & Make-Up | Geoff Lawrence | Set Costumer |
| Camera | Gary Muller | First Assistant Camera |
| Editing | Peter Riley | Assistant Editor |
| Crew | Scott Buckwald | Production Office Assistant |
| Crew | David K. Riebel | Production Office Assistant |
| Sound | Paul Zaza | Original Music Composer |
| Art | William J. Durrell Jr. | Art Direction |
| Crew | Nicholas Pike | Additional Music |
| Editing | Scott Summersgill | Assistant Editor |
| Crew | Martine White | Production Office Assistant |
| Crew | Ran Ballard | Additional Music |
| Crew | George Hesse | Production Office Assistant |
| Editing | Carole Henderson Harrington | Assistant Editor |
| Editing | Mark Lemmon | Assistant Editor |
| Crew | Phil Dupont | Production Office Assistant |
| Sound | Jim Bridges | Sound |
| Sound | Sean Kelly | Sound Editor |
| Art | Philip Saccio | Property Master |
| Sound | Tony Currie | Dialogue Editor |
| Art | Richard Waldrop | Property Master |
| Sound | Alison Clark | Dialogue Editor |
| Sound | Richard Cadger | Dialogue Editor |
| Sound | Ron Archibald | Dialogue Editor |
| Sound | Judy 'Lucky' Kemeny | Dialogue Editor |
| Crew | Bill Lee | Special Effects |
| Art | Steve Davis | Set Decoration |
| Sound | Paul Durand | Dialogue Editor |
