American-born Anna Vorontosov teaches school in a remote, primitive section of northern New Zealand. Her experimental teaching methods have won her the love and affection of her pupils and their parents and the admiration of the unhappily married school inspector, Abercrombie. Her personal life, however, is less secure; frightened of love and sexually inhibited, she has always been aloof with men. Eager to break down this barrier is Englishman Paul Lathrope, a somewhat irrational and immature fellow teacher who aspires to be a singer. Though Anna is attracted to him, she refuses to submit to his advances.
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Art | Henry Grace | Set Decoration |
Art | Hugh Hunt | Set Decoration |
Camera | Charles K. Hagedon | Other |
Editing | Fredric Steinkamp | Editor |
Crew | Lee LeBlanc | Special Effects |
Crew | Robert R. Hoag | Special Effects |
Directing | William Shanks | Assistant Director |
Costume & Make-Up | Mary Keats | Hairstylist |
Costume & Make-Up | William Tuttle | Makeup Artist |
Sound | Franklin Milton | Recording Supervision |
Art | Urie McCleary | Art Direction |
Art | George W. Davis | Art Direction |
Sound | Robert Armbruster | Conductor |
Sound | Bronislau Kaper | Original Music Composer |
Costume & Make-Up | Helen Rose | Costume Design |
Directing | Ronald Florance | Second Assistant Director |
Camera | William Norton | Camera Operator |
Camera | George K. Hollister | Assistant Camera |
Camera | Virgil Apger | Still Photographer |
Lighting | Wes Shanks | Gaffer |
Camera | Howard Bradner | Grip |
Editing | William McMillin | Assistant Editor |
Sound | Conrad Kahn | Sound Mixer |
Sound | Jerry Jost | Boom Operator |
Costume & Make-Up | Charles H. Schram | Makeup Artist |
Production | Dave Friedman | Unit Manager |
Directing | Cleo Anton | Script Supervisor |
Production | Leonard Murphy | Casting |
Directing | Charles Walters | Director |
Writing | Ben Maddow | Screenplay |
Writing | Sylvia Ashton-Warner | Novel |
Production | Julian Blaustein | Producer |
Camera | Joseph Ruttenberg | Director of Photography |