A private eye is hired to protect a young woman who has a black book on a crime syndicate.
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Production | Betty Martin | Casting |
Art | Gordon Kirschbaum | Construction Coordinator |
Crew | Ronnie Rondell Jr. | Stunt Coordinator |
Costume & Make-Up | Ted Coodley | Makeup Artist |
Camera | Henry Cronjager Jr. | Director of Photography |
Production | Norman Henry | Production Supervisor |
Crew | Joe Lombardi | Special Effects |
Editing | Ben Ray | Editor |
Production | William A. Porter | Production Manager |
Sound | Barry Thomas | Sound Engineer |
Production | Aaron Spelling | Executive Producer |
Art | Paul Sylos | Art Direction |
Art | Neil Wheeler | Property Master |
Sound | John D. Hall | Sound Editor |
Production | Alex Gottlieb | Producer |
Costume & Make-Up | Pat Whiffing | Hairstylist |
Production | Danny Thomas | Executive Producer |
Sound | Billy May | Original Music Composer |
Directing | Roger Duchowny | Assistant Director |
Sound | Mark Southern | Music Editor |
Directing | Stuart Lippman | Script Coordinator |
Editing | Jerry Jameson | Supervising Editor |
Production | David Kidd | Producer's Assistant |
Production | Shelley Hull | Associate Producer |
Art | Ken Swartz | Set Decoration |
Costume & Make-Up | Thomas Costich | Costumer |
Costume & Make-Up | Jerrie Woods | Costumer |
Production | Ronald Jacobs | Production Executive |
Writing | Stanley Roberts | Writer |
Directing | Earl Bellamy | Director |
Writing | Edward J. Lakso | Writer |
Camera | Howard A. Anderson III | Second Unit Director of Photography |