In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with the leading lady.
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| Production | John Hubbard | Casting |
| Production | Jan Blenkin | Producer |
| Directing | Peter Jackson | Director |
| Production | Carolynne Cunningham | Producer |
| Sound | Brent Burge | Sound Designer |
| Sound | David Farmer | Sound Designer |
| Sound | James Newton Howard | Original Music Composer |
| Production | Liz Mullane | Casting |
| Art | Grant Major | Production Design |
| Sound | Mel Wesson | Original Music Composer |
| Production | Victoria Burrows | Casting |
| Production | Dan Hubbard | Casting |
| Production | Peter Jackson | Producer |
| Camera | Andrew Lesnie | Director of Photography |
| Sound | David Long | Original Music Composer |
| Editing | Jamie Selkirk | Editor |
| Production | Fran Walsh | Producer |
| Costume & Make-Up | Terry Ryan | Costume Design |
| Writing | Fran Walsh | Writer |
| Writing | Philippa Boyens | Writer |
| Writing | Peter Jackson | Writer |
| Camera | Sally Eccleston | First Assistant Camera |
| Crew | Mana Hira Davis | Stunts |
| Crew | Clint Elvy | Stunts |
| Crew | Tony Marsh | Stunt Double |
| Crew | Andrew Stehlin | Stunts |
| Crew | Min Windle | Stunt Double |
| Crew | Sharon Maxwell | Stunts |
| Crew | Shane Rangi | Stunt Double |
| Crew | Morgan Evans | Stunts |
| Crew | Amanda Foubister | Stunts |
| Crew | Jonathan Costelloe | Stunts |
| Crew | Kirk Maxwell | Stunt Coordinator |
| Crew | Winham Hammond | Stunts |
| Crew | Baz Karbouris | Stunts |
| Crew | Jason Tahu | Stunts |
| Crew | Tim Wong | Stunts |
| Crew | Mark Trotter | Stunts |
| Crew | Sebastian Foxx | Stunts |
| Crew | David J. Muzzerall | Stunts |
| Crew | Steve Reinsfield | Stunts |
| Visual Effects | Joel Fletcher | Animation |
| Visual Effects | Hugo Dominguez | Visual Effects |
| Crew | Sean Button | Stunts |
| Visual Effects | Richard Taylor | Creature Technical Director |
| Visual Effects | Guy Williams | 3D Supervisor |
| Sound | Armen Ksajikian | Musician |
| Art | Chris Hennah | Art Department Manager |
| Crew | Shona McCullagh | Choreographer |
| Directing | Victoria Sullivan | Script Supervisor |
| Art | Joe Bleakley | Art Direction |
| Art | Simon Bright | Art Direction |
| Directing | Merrin Ruck | Script Supervisor |
| Art | Kristie Breslin | Art Department Coordinator |
| Costume & Make-Up | Carolyn M. Fenton | Costume Supervisor |
| Crew | Gunner Ashford | Armorer |
| Costume & Make-Up | Eliza Godman | Assistant Costume Designer |
| Costume & Make-Up | Peter Swords King | Hair Designer |
| Costume & Make-Up | Peter Swords King | Makeup Designer |
| Crew | Steven Boyle | Makeup Effects |
| Sound | Peter Mills | Foley Editor |
| Crew | Shane Dawson | Stunt Coordinator |
| Crew | Rodney Cook | Stunt Coordinator |
| Crew | Steve Ingram | Special Effects Coordinator |
| Sound | John Simpson | Foley Supervisor |
| Sound | Dave Whitehead | Sound Designer |
| Sound | Justin Webster | Sound Editor |
| Visual Effects | George Murphy | Visual Effects Supervisor |
| Sound | Hayden Collow | Sound Editor |
| Writing | Merian C. Cooper | Original Concept |
| Sound | Melanie Graham | Sound Editor |
| Costume & Make-Up | Richard Taylor | Makeup Supervisor |
| Sound | Tom Johnson | Sound Re-Recording Mixer |
| Sound | Katy Wood | Sound Editor |
| Sound | Craig Tomlinson | Foley Editor |
| Production | Ann Robinson | Casting |
| Writing | Edgar Wallace | Original Concept |
| Visual Effects | Ben Snow | Visual Effects Supervisor |
| Visual Effects | Erik Winquist | Compositing Supervisor |
| Art | Greg Cockerill | Set Decoration |
| Production | Annette Wullems | Associate Producer |
| Production | Eileen Moran | Co-Producer |
| Art | Dan Hennah | Set Decoration |
| Art | Jeremy Bennett | Conceptual Design |
| Art | Genevieve Cooper | Lead Painter |
| Costume & Make-Up | Simon Ward | Set Costumer |
| Crew | Kevin Anderton | Carpenter |
| Crew | Ben Hall | Systems Administrators & Support |
| Crew | Julie Adams | Dialect Coach |
| Crew | Dan Lemmon | Digital Effects Supervisor |
| Crew | Andy Buckley | Set Medic |
| Crew | Peter Russell | Stand In |
| Art | Stephen Crene | Painter |
| Art | Carl Bellavia | Location Scout |
| Art | Colin Davidson | Construction Foreman |
| Camera | Pierre Vinet | Still Photographer |
| Art | Andy McLaren | Set Dresser |
| Crew | Shane Cooper | Software Engineer |
| Art | Ed Mulholand | Construction Coordinator |
| Camera | Simon Harding | Steadicam Operator |
| Crew | Collin Butrum | Transportation Coordinator |
| Sound | Ray Beentjes | Dialogue Editor |
| Production | Jared Connon | Location Manager |
| Crew | Aaron Cubis | Projection |
| Crew | David Hollingsworth | Telecine Colorist |
| Lighting | Tim Stratton | Electrician |
| Art | Christopher Aitken | Sculptor |
| Camera | Colin Deane | First Assistant Camera |
| Crew | Matt Aitken | CG Supervisor |
| Lighting | Reg Garside | Gaffer |
| Art | Miriam Bellard | Set Designer |
| Crew | Peter Dillon | Utility Stunts |
| Crew | Matt Holmes | Visual Effects Editor |
| Editing | Lynne Reed | Color Timer |
| Crew | Pippa Anderson | Post Production Supervisor |
| Crew | Guy Adan | Unit Publicist |
| Editing | David Birrell | First Assistant Editor |
| Lighting | Taipua Adams | Lighting Technician |
| Sound | Derek Casari | Sound Engineer |
| Sound | Bruce Emery | Dolby Consultant |
| Camera | Rhys Duncan | Camera Operator |
| Camera | David B. Nowell | Aerial Director of Photography |
| Costume & Make-Up | Susie Glass | Hairstylist |
| Crew | Pete Butters | Propmaker |
| Crew | Karl Chisholm | Special Effects Coordinator |
| Directing | Carolynne Cunningham | First Assistant Director |
| Lighting | Huw Griffiths | Best Boy Electric |
| Production | Belindalee Hope | Production Manager |
| Production | Philippa Wood | Publicist |
| Visual Effects | Atsushi Sato | Animation Supervisor |
| Production | Emily Ireland | Unit Manager |
| Crew | Greg Butler | CGI Supervisor |
| Sound | Nigel Stone | ADR Supervisor |
| Sound | Hayden Collow | Sound Effects Editor |
| Visual Effects | Scott E. Anderson | Visual Effects Supervisor |
| Production | Hannah Clarke | Production Coordinator |
| Crew | Peter Cobbin | Thanks |
| Sound | Pete Anthony | Orchestrator |
| Visual Effects | Robert Baldwin | Creature Design |
| Visual Effects | Jeremy Bennett | Visual Effects |
| Visual Effects | Randy Link | Animation |
| Art | Ben Milsom | Standby Painter |
| Art | Nick Weir | Property Master |
| Crew | Julie Zavala Ron | Machinist |
| Sound | Chris Hiles | Production Sound Mixer |
| Sound | Martin Kwok | First Assistant Sound Editor |
| Sound | Tim Starnes | Music Editor |
| Visual Effects | Dan Akers | Digital Compositors |
| Visual Effects | Rebecca Downes | Visual Effects Coordinator |
| Crew | James Van Der Reyden | Motion Capture Artist |
| Editing | Jabez Olssen | Additional Editing |
| Sound | Corrin Ellingford | Boom Operator |
| Sound | Matthew Lambourn | Sound Editor |
| Production | Philippa Boyens | Co-Producer |
| Art | Simon Bright | Set Decoration |
| Art | Jacqui Allen | Assistant Art Director |
| Camera | Darren Bradnock | Grip |
| Costume & Make-Up | Corinne Bossu | Makeup Artist |
| Sound | Hammond Peek | Sound Recordist |
| Production | Anne Bruning | Unit Production Manager |
| Lighting | David Brown | Rigging Gaffer |
| Directing | Veronique Lawrence | Script Supervisor |
| Sound | Mike Hopkins | Supervising Sound Editor |
| Visual Effects | Vicki Galloway Weimer | Visual Effects Producer |
| Art | Daniel Aird | Greensman |
| Crew | Chris Walker | Craft Service |
| Camera | Tony Keddy | Key Grip |
| Crew | Colin Alway | Sequence Leads |
| Art | Alan Lee | Conceptual Design |
| Crew | Chris Anderson | Stunt Coordinator |
| Visual Effects | Patrick Kalyn | Animation |
| Visual Effects | Ed Hawkins | Digital Compositor |
| Directing | Del Chatterton | Third Assistant Director |
| Camera | Noor Razzak | Assistant Grip |
| Editing | Mark Hawthorne | Assistant Editor |
| Sound | Polly McKinnon | ADR Editor |
| Visual Effects | Juliette Davis | Visual Effects Production Assistant |
| Camera | Alys Rowe | Camera Trainee |
| Sound | Robyn McFarlane | Foley Recordist |
| Crew | Jonathan Roy Grindlay | Special Effects Assistant |
| Crew | Ryan Carey | Stunt Double |
| Art | Chris Guise | Title Designer |
| Visual Effects | Alex Funke | VFX Director of Photography |
| Editing | Holger Spill | Digital Intermediate Editor |
| Production | Mathew Gordon | Location Assistant |
| Sound | Jim Weidman | Supervising Music Editor |
| Directing | Randall William Cook | Second Unit Director |
| Camera | Andrew Lambert | Data Wrangler |
| Production | Shara Hudson | Post Production Coordinator |
| Sound | Stuart Michael Thomas | Music Consultant |
| Sound | Rick Canelli | ADR Recordist |
| Camera | Mike Knudson | Focus Puller |
| Visual Effects | Jamie Beard | Lead Animator |
| Visual Effects | Keith Huggins | Senior Animator |
| Editing | Jayne Herrmann | Digital Intermediate Assistant |
| Sound | Pete Anthony | Conductor |
| Production | Sarah Milnes | Researcher |
| Directing | Richard Matthews | Additional Second Assistant Director |
| Sound | Brian Kahanek | ADR Mixer |
| Visual Effects | Marion Davey | Visual Effects Production Manager |
| Production | Kelly Valentine Hendry | Casting Assistant |
| Editing | Nadia Diggins | Color Grading |
| Directing | Stephanie Weststrate | Second Assistant Director |
| Art | Darryl Longstaffe | Draughtsman |
| Costume & Make-Up | Paul Hambleton | Extras Dresser |
| Visual Effects | Joe Letteri | Senior Visual Effects Supervisor |
| Visual Effects | Mario de Dios | VFX Artist |
| Camera | Kayne Asher | Dolly Grip |
| Production | Aimee Aspinall | Assistant Production Coordinator |
| Production | Jeff Barnes | Production Executive |
| Costume & Make-Up | Hayley Atherton | Assistant Makeup Artist |
| Production | Sarah Valentine | Extras Casting |
| Visual Effects | Peter Baustaedter | Matte Painter |
| Visual Effects | Evan Christie | Rotoscoping Artist |
| Costume & Make-Up | Rick Findlater | Hair Supervisor |
| Directing | Skot Thomas | Second Second Assistant Director |
| Art | Mark Cameron Williams | Graphic Designer |
| Sound | Karen Harper | Vocals |
| Camera | Tony Monk | Helicopter Camera |
| Camera | Steve Allanson | Second Assistant Camera |
| Editing | Jan Kruse | Digital Colorist |
| Production | Miranda Rivers | Extras Casting Coordinator |
| Costume & Make-Up | Cilla Leckie | Costume Coordinator |
| Camera | Dion Hartley | Best Boy Grip |
| Sound | Nigel Scott | Music Coordinator |
| Costume & Make-Up | Lucy Adams | Costume Assistant |
| Visual Effects | Eric Leighton | Animation Director |
| Production | Linda Klein-Nixon | Accountant |
| Production | Jonny Doig | Production Runner |
| Sound | Neil Aldridge | Assistant Dialogue Editor |
| Visual Effects | Heather Clarke | Additional Visual Effects |
| Visual Effects | William Dwelly | Animation Technical Director |
| Production | Jessica A. Gihon | Assistant Accountant |
| Costume & Make-Up | Lucy McLay | Costumer |
| Crew | Ross Anderson | Special Effects Technician |
| Camera | Alexandra Bishop | Clapper Loader |
| Crew | Aria Harrison | Assistant Script |
| Visual Effects | Leigh van der Byl | CG Artist |
| Visual Effects | Christine Arboit | Creature Technical Director |
| Crew | Tanya Blumstein | Dialogue Coach |
| Crew | Cyndi Ochs | Digital Effects Producer |
| Production | Emily Griffiths | Production Assistant |
| Sound | Michael Semanick | Sound Re-Recording Mixer |
| Sound | Christopher Boyes | Sound Re-Recording Mixer |
| Sound | Ethan Van der Ryn | Supervising Sound Editor |
| Sound | Michael Hedges | Sound Re-Recording Mixer |
| Visual Effects | Brian Van't Hul | Visual Effects Supervisor |
| Visual Effects | Christian Rivers | Animation Director |
| Visual Effects | Graham Binding | Animation |
| Sound | Carrie McLaughlin | Foley Artist |
| Crew | Dayna Grant | Stunts |
| Visual Effects | Daniel Falconer | Creature Design |
| Visual Effects | Kelly Port | Compositing Artist |
| Art | Dan Hennah | Supervising Art Director |
