The extended Cheng family, which, like Aberdeen harbor’s Chinese namesake, represents today’s Little Hong Kong and its myriad of contradictions between traditions and modernity; superstitions and materialism; family and individuality.
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| Art | Keith Cheung | Props |
| Directing | Pang Ho-cheung | Director |
| Writing | Pang Ho-cheung | Screenplay |
| Production | Pang Ho-cheung | Producer |
| Production | Kuo-Fu Chen | Producer |
| Production | Subi Liang | Producer |
| Production | Wang Zhonglei | Producer |
| Camera | Jason Kwan | Director of Photography |
| Art | Man Lim-Chung | Production Design |
| Lighting | Cheung Yuk-chuen | Lighting Director |
| Art | Lee Kwok-lam | Art Direction |
| Costume & Make-Up | Chung Cho-ting | Costume Designer |
| Costume & Make-Up | Midco Chu Wai-Fong | Makeup Artist |
| Costume & Make-Up | Carmen Man | Makeup Artist |
| Crew | Kittichon Kunratchol | Makeup Effects |
| Editing | Wenders Li Tung-Chuen | Editor |
| Production | Raymond Phathanavirangoon | Co-Producer |
| Production | Zhang Dajun | Co-Producer |
| Production | Stephen Lam Bing-Kwan | Co-Producer |
| Production | Kenny Chan | Executive Producer |
| Production | Yau Tsz-Kit | Production Manager |
| Sound | Tu Duu-chih | Sound Designer |
| Sound | Peter Kam Pau-Tat | Original Music Composer |
