In 1932, a cop is killed and Frank Wiecek sentenced to life. Eleven years later, a newspaper ad by Frank's mother leads Chicago reporter P.J. O'Neal to look into the case. For some time, O'Neal continues to believe Frank guilty. But when he starts to change his mind, he meets increased resistance from authorities unwilling to be proved wrong.
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Writing | James P. McGuire | Writer |
Sound | Alfred Newman | Original Music Composer |
Writing | Leonard Hoffman | Adaptation |
Writing | Quentin Reynolds | Adaptation |
Directing | Henry Hathaway | Director |
Editing | J. Watson Webb Jr. | Editor |
Writing | Jerome Cady | Screenplay |
Production | Otto Lang | Producer |
Writing | Jay Dratler | Screenplay |
Camera | Joseph MacDonald | Director of Photography |
Art | Walter M. Scott | Set Decoration |
Art | Lyle R. Wheeler | Art Direction |
Art | Thomas Little | Set Decoration |
Costume & Make-Up | Kay Nelson | Costume Design |
Art | Mark-Lee Kirk | Art Direction |
Costume & Make-Up | Ben Nye | Makeup Artist |
Production | Darryl F. Zanuck | Executive Producer |
Camera | Jerry Milligan | Still Photographer |
Costume & Make-Up | Myrtle Ford | Hairstylist |
Production | Sam Wurtzel | Production Manager |
Directing | Abe Steinberg | Assistant Director |
Production | Raymond A. Klune | Production Manager |
Camera | Frank Cory | Grip |
Sound | Edward B. Powell | Orchestrator |
Costume & Make-Up | Thomas Tuttle | Makeup Artist |
Sound | Alfred Newman | Music Director |
Camera | Paul Russell | Still Photographer |
Crew | James P. McGuire | Technical Advisor |
Directing | Stanley K. Scheuer | Script Supervisor |
Costume & Make-Up | Dick Smith | Makeup Artist |
Sound | W.D. Flick | Sound |
Costume & Make-Up | Sam Benson | Wardrobe Designer |
Writing | Jack McPhaul | Story Consultant |
Directing | Joseph E. Rickards | Assistant Director |
Visual Effects | Fred Sersen | Visual Effects |
Costume & Make-Up | Charles LeMaire | Wardrobe Master |
Sound | Roger Heman Sr. | Sound |
Camera | Til Gabani | Camera Operator |