Zack Mayo is an aloof, taciturn man who aspires to be a navy pilot. Once he arrives at training camp for his 13-week officer's course, Mayo runs afoul of abrasive, no-nonsense drill Sergeant Emil Foley. Mayo is an excellent cadet, but a little cold around the heart, so Foley rides him mercilessly, sensing that the young man would be prime officer material if he weren't so self-involved. Zack's affair with a working girl is likewise compromised by his unwillingness to give of himself.
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| Directing | Taylor Hackford | Director |
| Production | Nancy Klopper | Casting |
| Writing | Douglas Day Stewart | Screenplay |
| Art | Philip M. Jefferies | Production Design |
| Camera | Donald E. Thorin | Director of Photography |
| Production | Martin Elfand | Producer |
| Sound | Jack Nitzsche | Original Music Composer |
| Production | Douglas Day Stewart | Associate Producer |
| Directing | Mary Ann Newfield | Script Supervisor |
| Art | John V. Cartwright | Art Direction |
| Art | James L. Berkey | Set Decoration |
| Editing | Peter Zinner | Editor |
| Production | William R. Borden | Location Manager |
| Production | Paul G. Hensler | Location Manager |
| Production | Robert Schneider | Unit Production Manager |
| Sound | Don Coufal | Boom Operator |
| Crew | Samuel M. Pace | Stunts |
| Costume & Make-Up | Laurie Riley | Costume Supervisor |
| Camera | John Earl Burnett | Second Assistant Camera |
| Sound | Robert Knudson | Sound Re-Recording Mixer |
| Crew | Crew Chamberlain | Cableman |
| Camera | Dick Colean | Camera Operator |
| Directing | David McGiffert | First Assistant Director |
| Sound | Noyan Cosarer | Sound Re-Recording Mixer |
| Directing | Pamela M. Eilerson | Second Assistant Director |
| Sound | Kitty Malone | Foley Artist |
| Crew | Jason Randal | Stunts |
| Production | Merv Adelson | Executive Producer |
| Sound | Don Digirolamo | Sound Re-Recording Mixer |
| Costume & Make-Up | Jerry O'Dell | Makeup Artist |
| Directing | Daniel J. Heffner | Second Assistant Director |
| Crew | Joseph P. Mercurio | Special Effects |
| Lighting | James F. Boyle | Gaffer |
| Editing | Priscilla Nedd-Friendly | Associate Editor |
| Editing | Sonny Baskin | Assistant Editor |
| Costume & Make-Up | Marina Pedraza | Hairstylist |
| Costume & Make-Up | Jim Gillespie | Makeup Artist |
| Sound | Clive Smith | Supervising Sound Editor |
| Camera | Daniel R. Jordan | Key Grip |
| Costume & Make-Up | Rita Riggs | Costume Supervisor |
| Art | Eugene S. Kelley | Construction Coordinator |
| Sound | Jeff Wexler | Sound Mixer |
| Sound | Robert Glass | Sound Re-Recording Mixer |
| Camera | Earl Clark | Camera Production Assistant |
| Camera | Carol McCullough | Still Photographer |
| Art | Dan Perri | Title Designer |
| Art | Erik L. Nelson | Property Master |
