When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.
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| Directing | Jorge Fons | Director |
| Writing | Vicente Leñero | Novel |
| Writing | Jorge Fons | Screenplay |
| Writing | Luis Carrión | Screenplay |
| Camera | Carlos Montaño | Camera Operator |
| Editing | Eufemio Rivera | Editor |
| Editing | Víctor Mondragón | Assistant Editor |
| Camera | Álex Phillips Jr. | Director of Photography |
| Art | Xavier Rodríguez | Production Design |
| Camera | Othón Argumedo | Still Photographer |
| Sound | Abraham Cruz | Sound Editor |
| Sound | Ángel Trejo | Sound Recordist |
| Production | Marco Silva | Producer |
| Sound | Jesús González Gancy | Sound |
| Production | Leopoldo Silva | Producer |
| Art | Rafael Suárez | Set Decoration |
| Costume & Make-Up | Carmen Palomino | Makeup Artist |
| Costume & Make-Up | Guadalupe Gorráez | Hairstylist |
| Sound | Gustavo César Carrión | Original Music Composer |
| Directing | Mario Llorca | Assistant Director |
| Production | Luis García de León | Production Manager |
