James Reese has a good job as an ambassador's aid in France, but his real passion is a side gig—working in a minor role in the CIA. He would love to be a full-fledged agent and can't believe his luck when he lands an assignment with Charlie Wax. Trigger-happy Charlie soon has James crying for his desk job, but when he learns that the same guys they're trying to catch are after him, James realises that Charlie may be his only hope of survival.
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| Writing | Adi Hasak | Screenplay |
| Directing | Pierre Morel | Director |
| Art | Gilles Geraud | Property Master |
| Art | Christophe Niaux | Property Master |
| Art | Olivier Nguyen | Property Master |
| Costume & Make-Up | Olivier Bériot | Costume Design |
| Production | India Osborne | Producer |
| Lighting | Gregory Fromentin | Gaffer |
| Art | Véronique Melery | Set Decoration |
| Crew | Olivier Schneider | Choreographer |
| Costume & Make-Up | Marthe Faucouit | Makeup Artist |
| Art | Anne Dolet | Sculptor |
| Crew | Gil Pannetier | Second Unit Cinematographer |
| Camera | Michel Abramowicz | Director of Photography |
| Visual Effects | Thierry Flament | Visual Effects Producer |
| Crew | Jean-Christophe Magnaud | Special Effects Coordinator |
| Sound | Capucine Courau | Sound Editor |
| Crew | Philippe Guégan | Stunt Coordinator |
| Editing | Anne Delacour | Dialogue Editor |
| Sound | Vincent Cosson | Sound Re-Recording Mixer |
| Sound | Philippe Penot | Foley |
| Visual Effects | Pascal Laurent | Visual Effects Producer |
| Camera | Susie Allnutt | Still Photographer |
| Camera | Rico Torres | Still Photographer |
| Directing | Isabelle Querrioux | Script Supervisor |
| Costume & Make-Up | Vesna Estord | Makeup Artist |
| Camera | Magali Bragard | Still Photographer |
| Camera | Eric Caro | Still Photographer |
| Editing | Frédéric Thoraval | Editor |
| Sound | Damien Aubry | Sound Editor |
| Art | Jacques Bufnoir | Production Design |
| Visual Effects | Roxane Fechner | Visual Effects Supervisor |
| Production | Linda Favila | Co-Executive Producer |
| Writing | Luc Besson | Story |
| Production | Virginie Besson-Silla | Executive Producer |
| Production | Anson Downes | Co-Executive Producer |
| Sound | François-Joseph Hors | Sound |
| Costume & Make-Up | Myriam Hottois | Makeup Department Head |
| Production | Marc Guidetti | Unit Manager |
| Camera | Pierre Morel | Steadicam Operator |
| Sound | Frédéric Dubois | Sound |
| Production | Thierry Guilmard | Production Manager |
| Production | Swan Pham | Casting |
| Production | Monica Gil | Production Coordinator |
| Production | Sandra Marthon | Casting |
| Production | Dominique Guerin | Production Coordinator |
| Costume & Make-Up | Corinne Bruand | Costume Design |
| Art | Philippe Letode | Location Scout |
| Art | Claire Galloy | Location Scout |
| Sound | Stéphane Vizet | Boom Operator |
| Costume & Make-Up | Diane Duroc | Key Hair Stylist |
| Costume & Make-Up | Ali Guemraoui | Hairstylist |
| Sound | Lucien Balibar | Sound |
| Costume & Make-Up | Marc Villeneuve | Hairstylist |
| Sound | Alexandre Mahout | Music Supervisor |
| Crew | Eric Bassoff | Post Production Supervisor |
| Visual Effects | Elodie Glain | Visual Effects Coordinator |
| Production | Didier de Keyser | Production Manager |
| Visual Effects | Philippe Hubin | Special Effects Supervisor |
| Crew | Clara Vincienne | Post Production Supervisor |
| Sound | François Lepeuple | Foley |
| Costume & Make-Up | Guillaume Castagné | Special Effects Makeup Artist |
| Sound | David Buckley | Original Music Composer |
| Sound | Lucien Balibar | Dialogue Editor |
| Crew | Frédéric Dessains | Stunts |
| Art | Eric Gandois | Storyboard Artist |
