In the late 1950s, British police officer Tony Aaron resigns from the force after sleeping with Hazel, wife of the man whose house he was supposed to guard. In his new job as a fake private investigator, he helps couples get divorces by photographing Hazel having "affairs" with the husband. When she is murdered during a job, Tony begins having an affair with the dead man's mistress, Angeline, while trying to prove his innocence.
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| Camera | Vernon Layton | Director of Photography |
| Editing | Tariq Anwar | Editor |
| Directing | Simon Moore | Director |
| Writing | Simon Moore | Writer |
| Art | Bill Hargreaves | Props |
| Production | Brian Eastman | Producer |
| Art | Tim Hutchinson | Production Design |
| Art | Tony Reading | Art Direction |
| Production | Anne Henderson | Casting |
| Production | Nick Elliott | Executive Producer |
| Production | George Helyer | Executive Producer |
| Sound | Christopher Gunning | Original Music Composer |
| Art | Beth DeSort | Set Decoration |
| Art | Stephenie McMillan | Set Decoration |
| Directing | Simon Hinkly | First Assistant Director |
| Art | Brian Read | Property Buyer |
| Sound | Andy Stears | Assistant Dialogue Editor |
| Camera | Keith Hamshere | Still Photographer |
| Directing | Tim Lewis | Second Assistant Director |
| Art | Alan Booth | Construction Manager |
| Crew | Nick Gillard | Stunts |
| Production | Vincent Winter | Associate Producer |
| Costume & Make-Up | Martin Samuel | Key Hair Stylist |
| Directing | Terry Needham | First Assistant Director |
| Crew | Steve Dent | Stunts |
| Production | Bi Benton | Production Coordinator |
| Camera | Nigel Kirton | Steadicam Operator |
| Lighting | Stuart Reid | Electrician |
| Directing | Annie Penn | Script Supervisor |
| Costume & Make-Up | Penny Rose | Costume Design |
| Sound | Ian Fuller | Dialogue Editor |
| Production | Fred Turner | Executive Producer |
| Sound | Colin Codner | Boom Operator |
| Production | Christian Banfield | Assistant Location Manager |
| Lighting | Micky Wilson | Gaffer |
| Costume & Make-Up | Peter Frampton | Makeup Supervisor |
| Costume & Make-Up | Catherine Halloran | Costume Supervisor |
| Production | Howard Gibbins | Location Manager |
| Sound | Ken Weston | Sound Recordist |
| Visual Effects | David Harris | Special Effects Supervisor |
| Crew | Paul Weston | Stunts |
| Camera | Ray Cooper | Clapper Loader |
| Directing | David Carrigan | Third Assistant Director |
| Art | James Wadeson | Assistant Art Director |
| Crew | Valentino Musetti | Stunts |
| Lighting | John Lake | Best Boy Electric |
| Lighting | Les Weighell | Electrician |
| Art | Arthur Wicks | Property Master |
| Camera | Bob Stilwell | Focus Puller |
| Lighting | John Cohen | Genetator Operator |
| Camera | John Maskall | Camera Operator |
| Crew | Rob Partridge | Armorer |
| Sound | Stan Fiferman | Sound Effects Editor |
