A civilian oil rig crew is recruited to conduct a search and rescue effort when a nuclear submarine mysteriously sinks. One diver soon finds himself on a spectacular odyssey 25,000 feet below the ocean's surface where he confronts a mysterious force that has the power to change the world or destroy it.
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| Production | Howard Feuer | Casting |
| Production | Gale Anne Hurd | Producer |
| Production | Van Ling | Producer |
| Directing | James Cameron | Director |
| Art | Anne Kuljian | Set Decoration |
| Sound | Alan Silvestri | Original Music Composer |
| Camera | Mikael Salomon | Director of Photography |
| Art | Leslie Dilley | Production Design |
| Crew | Mike Johnson | Stunts |
| Editing | Howard E. Smith | Editor |
| Editing | Joel Goodman | Editor |
| Costume & Make-Up | Deena Appel | Costume Supervisor |
| Editing | Conrad Buff IV | Editor |
| Art | Joseph C. Nemec III | Art Direction |
| Costume & Make-Up | Kathryn Fenton | Makeup Artist |
| Art | Russell Christian | Art Direction |
| Costume & Make-Up | Deborah Everton | Costume Design |
| Camera | Richard Foreman Jr. | Still Photographer |
| Crew | Chuck Clarke | Transportation Coordinator |
| Crew | Michael T. Daigle | Scenic Artist |
| Camera | George D. Dodge | Camera Operator |
| Camera | Paul C. Babin | Camera Operator |
| Sound | Joseph T. Sabella | Foley |
| Crew | Kathy Chasen-Hay | Visual Effects Editor |
| Visual Effects | Diana Shornstein | Visual Effects Producer |
| Art | Thomas P. Wilkins | Set Designer |
| Crew | Joe Viskocil | Special Effects Coordinator |
| Visual Effects | Hoyt Yeatman | Visual Effects Supervisor |
| Art | Andrew Precht | Set Designer |
| Sound | John Roesch | Foley |
| Visual Effects | Steve Johnson | Visual Effects Supervisor |
| Art | Gershon Ginsburg | Set Designer |
| Sound | Blake Leyh | Sound Designer |
| Visual Effects | Ned Gorman | Visual Effects Producer |
| Lighting | Mark A. Shelton | Gaffer |
| Lighting | George S. Neil | Gaffer |
| Camera | Bob Gorelick | Steadicam Operator |
| Visual Effects | Walt Conti | Visual Effects Supervisor |
| Art | Brian Cole | Sculptor |
| Visual Effects | Leslie Huntley | Visual Effects Producer |
| Crew | Dick Warlock | Stunt Coordinator |
| Art | Screaming Mad George | Sculptor |
| Sound | Dody Dorn | Supervising Sound Editor |
| Visual Effects | Laura Buff | Visual Effects Producer |
| Art | Mary Alice Palmer | Art Department Coordinator |
| Art | George Stokes | Construction Coordinator |
| Sound | Greg Orloff | Foley |
| Crew | Miller Drake | Visual Effects Editor |
| Camera | Jordan Klein Jr. | Underwater Camera |
| Art | Dan Webster | Assistant Art Director |
| Crew | Joseph A. Unsinn | Special Effects Coordinator |
| Sound | Kenneth Karman | Music Editor |
| Lighting | Dwight Campbell | Gaffer |
| Directing | Sharron Reynolds-Enriquez | Script Supervisor |
| Crew | Steve Kelso | Stunts |
| Crew | Glory Fioramonti | Stunts |
| Crew | Marcia Holley | Stunts |
| Crew | Kerry Rossall | Stunts |
| Crew | Diane Hetfield | Stunts |
| Crew | Loren Janes | Stunts |
| Writing | James Cameron | Writer |
| Visual Effects | Christopher Warren | Visual Effects Production Assistant |
| Camera | J. Michael Muro | Steadicam Operator |
| Crew | Pat Romano | Stunts |
| Sound | Lee Orloff | Sound mixer |
| Sound | Don J. Bassman | Sound Re-Recording Mixer |
| Sound | Kevin F. Cleary | Sound Re-Recording Mixer |
| Sound | Kevin E. Carpenter | Sound Re-Recording Mixer |
| Sound | Richard Overton | Sound Re-Recording Mixer |
| Camera | Bobby Huber | Key Grip |
| Art | Karen Steward | Painter |
| Camera | Robert Hoelen | Grip |
| Crew | Brian Delahanty | Transportation Captain |
| Art | Ron Cobb | Conceptual Design |
| Camera | Ian Fox | First Assistant Camera |
| Crew | Dominic Jack Pizzo, Sr. | Stand In |
| Art | Tom Jones Jr. | Construction Foreman |
| Costume & Make-Up | Emanuel Millar | Hairstylist |
| Crew | Stephan Schultze | Craft Service |
| Lighting | W.D. Hill | Rigging Grip |
| Costume & Make-Up | General Fermon Judd Jr. | Set Dressing Artist |
| Lighting | Vince Pace | Electrician |
| Production | Vince Heileson | Production Accountant |
| Art | Joe Cooper | Standby Painter |
| Art | Michele Moen | Production Illustrator |
| Lighting | James M. McEwen | Best Boy Electric |
| Production | Dennis Osborne | Casting Associate |
| Crew | Robert Garrett | Additional Music |
| Editing | Bob Hagans | Color Timer |
| Production | Andrew Chapman | Location Manager |
| Art | John D. Kretschmer | Leadman |
| Production | Charles Skouras III | Production Manager |
| Crew | Nancy Blewer | Set Production Assistant |
| Crew | John Anderson | Driver |
| Crew | Anne Marie Stein | Unit Publicist |
| Lighting | Richard Mula | Lighting Supervisor |
| Crew | Neil Gahm | Propmaker |
| Production | Paul Tivers | Production Supervisor |
| Sound | George Leong | Boom Operator |
| Visual Effects | Mike Chambers | Visual Effects Coordinator |
| Sound | Stuart Copely | Sound Editor |
| Visual Effects | Jeff Burks | Animation Supervisor |
| Crew | Jack Cornish | Carpenter |
| Crew | Clay Boss | Stunts |
| Crew | David Schmalz | Video Assist Operator |
| Production | Laura Greenlee | Production Coordinator |
| Sound | Howell Gibbens | Assistant Sound Editor |
| Sound | James B. Campbell | Orchestrator |
| Crew | Frank Lloyd | Stunts |
| Crew | Rick Avery | Stunts |
| Art | Emily Yudell | Property Master |
| Sound | Robert Renga | Sound Recordist |
| Sound | Joe Dorn | ADR Editor |
| Directing | Newt Arnold | First Assistant Director |
| Art | Charles Stewart | Property Master |
| Visual Effects | John Bruno | Visual Effects Supervisor |
| Crew | Denney Pierce | Stunts |
| Crew | Michael Cassidy | Stunts |
| Art | Ernest Farino | Title Designer |
| Visual Effects | Erik Henry | Visual Effects Assistant Editor |
| Crew | Jon H. Epstein | Stunt Double |
| Sound | Carolyn Tapp | Foley Recordist |
| Crew | Donn Markel | Special Effects Technician |
| Sound | Kevin Bartnof | Foley Artist |
| Sound | Marian Wilde | Foley Supervisor |
| Visual Effects | Kristina Birkmayer | Visual Effects Production Manager |
| Art | Linda Waxman | Assistant Property Master |
| Sound | Roy Seeger | Apprentice Sound Editor |
| Camera | Michael Griffin | Assistant Camera |
| Art | Charlotte Patterson | Construction Buyer |
| Art | Phillip Norwood | Storyboard Artist |
| Art | Jean Giraud | Concept Artist |
| Sound | Marilyn Graf | Foley Mixer |
| Camera | David Luckenbach | Additional Second Assistant Camera |
| Sound | David Jobe | ADR Recordist |
| Camera | Scott R. Davis | Best Boy Grip |
| Sound | Robert Deschaine | ADR Mixer |
| Editing | Gary Burritt | Negative Cutter |
| Lighting | Patrick Murray | Underwater Gaffer |
| Editing | Jim English | Project Manager |
| Camera | Marc Brown | Second Assistant Camera |
| Production | Jennifer C. Bell | Production Secretary |
| Crew | Gene Witham | Technical Advisor |
| Production | Hilbert Hakim | Key Set Production Assistant |
| Lighting | Charles 'Tom' Hinson | Key Rigging Grip |
| Crew | Randy E. Moore | Weapons Master |
| Production | Matt Brown | Production Assistant |
| Production | Beth DePatie | Assistant Production Coordinator |
| Crew | Timothy Greenwood | Editorial Staff |
| Visual Effects | Larz Anderson | Effects Supervisor |
| Costume & Make-Up | Joshua Keep | Wardrobe Assistant |
| Production | Robert Gordon | Assistant Accountant |
| Directing | Verónica González Rubio | Second Assistant Director |
| Camera | Jimmy Leavens | Dolly Grip |
| Editing | Christopher Koefoed | Assistant Editor |
| Production | Tekin Cetinkaya | Assistant Unit Manager |
| Visual Effects | Dennis Muren | Visual Effects Supervisor |
| Art | Peter Childs | Supervising Art Director |
| Editing | Steven Quale | Editor |
