When their ship crash-lands on a remote planet, the marooned passengers soon learn that escaped convict Riddick isn't the only thing they have to fear. Deadly creatures lurk in the shadows, waiting to attack in the dark, and the planet is rapidly plunging into the utter blackness of a total eclipse. With the body count rising, the doomed survivors are forced to turn to Riddick with his eerie eyes to guide them through the darkness to safety. With time running out, there's only one rule: Stay in the light.
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Directing | David Twohy | Director |
Editing | Rick Shaine | Editor |
Camera | David Eggby | Director of Photography |
Production | Tom Engelman | Producer |
Writing | Jim Wheat | Screenplay |
Writing | Ken Wheat | Screenplay |
Camera | Ian 'Thistle' Thorburn | Second Unit Director of Photography |
Camera | Adrien Seffrin | Focus Puller |
Camera | David Cordell | Clapper Loader |
Camera | Jack Wareham | Camera Operator |
Camera | Grahame Litchfield | Key Grip |
Camera | Ricky Schamburg | Clapper Loader |
Production | Mary Vernieu | Casting |
Costume & Make-Up | Anna Borghesi | Costume Design |
Production | Anne McCarthy | Casting |
Writing | David Twohy | Screenplay |
Production | Tony Winley | Executive Producer |
Production | Ted Field | Executive Producer |
Production | Scott Kroopf | Executive Producer |
Writing | Brian Murray | Storyboard |
Writing | Fireball Tim Lawrence | Storyboard |
Directing | Jamie Crooks | First Assistant Director |
Lighting | Tony Holtham | Gaffer |
Visual Effects | Patrick Tatopoulos | Creature Design |
Costume & Make-Up | Margaret Stevenson | Hair Supervisor |
Costume & Make-Up | Jason Baird | Prosthetic Makeup Artist |
Costume & Make-Up | Margaret Stevenson | Makeup Supervisor |
Sound | Michele Perrone | ADR Editor |
Directing | Lyn Alice Aronson | Script Supervisor |
Crew | Michael A. Helfant | Thanks |
Writing | Ken Wheat | Story |
Directing | Jennifer Rees-Brown | Second Assistant Director |
Costume & Make-Up | Maree McDonald | Makeup Artist |
Production | Carrie Campbell | Casting Assistant |
Directing | Peter McLennan | Third Assistant Director |
Editing | Danny Candib | Assistant Editor |
Sound | Michael Semanick | Sound Re-Recording Mixer |
Art | Tony Lees | Sculptor |
Art | Chris Goddard | Standby Painter |
Lighting | Adam Williams | Best Boy Electric |
Production | Chris Robson | Production Accountant |
Sound | Gary Dixon | Boom Operator |
Sound | Marilyn McCoppen | ADR Editor |
Art | Jacinta Leong | Set Designer |
Camera | Derry Field | Camera Operator |
Sound | James Lebrecht | Sound Effects Editor |
Production | Wizzy Ringer | Casting Assistant |
Art | Stephen Hay | Painter |
Production | Ann Robinson | Local Casting |
Camera | Leigh Tait | Grip |
Editing | Cleo Myles | Assistant Editor |
Sound | E. Larry Oatfield | Sound Effects Editor |
Writing | Jim Wheat | Story |
Camera | Brad Shield | Camera Operator |
Sound | Scott Guitteau | Assistant Sound Editor |
Sound | Mary Works | Assistant Sound Editor |
Production | Freddy Luis | Casting Assistant |
Camera | Henry Pierce | Camera Operator |
Sound | Lora Hirschberg | Sound Re-Recording Mixer |
Sound | Mary Helen Leasman | Foley Editor |
Sound | Michael Axinn | Assistant Sound Editor |
Sound | Beau Borders | Assistant Sound Editor |
Art | Chris Geissman | Painter |
Art | Wayne Truce | Standby Painter |
Crew | Allan Mowbray | Armorer |
Production | Michelle Wright | Executive In Charge Of Production |
Sound | Rod Conder | Boom Operator |
Sound | Tom Myers | Sound Designer |
Crew | Jonathan Bader | Thanks |
Art | Graham 'Grace' Walker | Production Design |
Costume & Make-Up | Keryn Ribbands | Costume Supervisor |
Art | Ian Gracie | Art Direction |
Art | Mark Stephens | Construction Foreman |
Camera | Brad Shield | Steadicam Operator |
Crew | Graham Stumpf | Post Production Supervisor |
Writing | Jason Brubaker | Storyboard |
Crew | David C. Hughes | Sound Design Assistant |
Art | Michael Rumpf | Set Decoration |
Crew | Karen Dimmig | Visual Effects Editor |
Editing | Dan Muscarella | Color Timer |
Crew | David Tremont | Propmaker |
Crew | Fiona Searson | Unit Publicist |
Art | Jim Millett | Assistant Art Director |
Sound | Samuel H. Hinckley | Sound Effects Editor |
Production | Campbell McLean | Location Manager |
Art | John Rann | Construction Coordinator |
Art | Daryl Porter | Leadman |
Costume & Make-Up | Carolyn Nott | Hairstylist |
Production | Barrie Hemsley | Production Coordinator |
Crew | Chris Anderson | Stunt Coordinator |
Sound | Robert Shoup | Supervising Sound Editor |
Crew | Cameron Curphey | Studio Teachers |
Art | Katie Nott | Art Department Coordinator |
Camera | Sean Barnes | Still Photographer |
Editing | Andrew Blustain | First Assistant Editor |
Crew | Peter Thompson | Legal Services |
Production | Sue MacKay | Unit Production Manager |
Sound | Tim Simonec | Orchestrator |
Visual Effects | Brian Cox | Special Effects Supervisor |
Art | Martin Ash | Set Designer |
Costume & Make-Up | Scott McMaster | Set Dressing Artist |
Sound | Joshua Winget | Music Editor |
Visual Effects | Peter Chiang | Visual Effects Supervisor |
Crew | Clair Crowther | Dialect Coach |
Sound | Graeme Revell | Original Music Composer |
Directing | Kira Bohn | Continuity |
Costume & Make-Up | Julie Zahra | Costume Standby |
Production | Angela Kenny | Accountant |
Production | Lori Sier | Post Production Accountant |
Crew | Andrew Pantelis | Stand In |
Production | Vampyre Wilson | Casting Associate |
Production | Melaini Lewis | Production Secretary |
Production | Leah Holmes | Post Production Accountant |
Production | Terri Douglas | ADR Voice Casting |
Crew | Suzanne McAllister | Stand In |
Production | Melanie Turner | Production Runner |
Production | Kerry Mulgrew | Production Secretary |
Production | Arwen Munro | Production Secretary |
Production | Jennifer Cornwell | Production Coordinator |
Production | Ange Lavey-Manche | Production Secretary |
Crew | Dan O'Connor | Stand In |
Crew | Raymond Leef | Stand In |
Production | Darcy Yuille | Production Runner |
Production | Nick McKinnon | Production Runner |
Production | Rowena Zande | Production Assistant |
Production | Stephen Taylor | First Assistant Accountant |
Production | Michelle Russell | Production Coordinator |
Directing | Karen Mansfield | Continuity |
Crew | Peter Thompson | Legal Services |
Crew | Wayne Williams | Stand In |
Directing | Ian 'Thistle' Thorburn | Second Unit Director |
Crew | Steve Rungwerth | Special Effects Assistant |
Sound | Dennie Thorpe | Foley Artist |
Visual Effects | Steve Street | CG Artist |
Sound | Tony Eckert | Foley Mixer |
Sound | Paul Haslinger | Music Arranger |
Crew | Brownyn Hookey | Catering |
Camera | John Balbi | Assistant Grip |
Visual Effects | Paul Riddle | Digital Compositor |
Sound | Roger Morris | ADR Mixer |
Directing | Angella McPherson | Second Second Assistant Director |
Sound | Frank 'Pepe' Merel | Foley Recordist |
Production | Jeremy 'JJ' Piggott | Assistant Unit Manager |
Camera | Rick Johnson | Best Boy Grip |
Crew | Patrick Carmiggelt | Special Effects Technician |
Lighting | Robert Sassen | Chief Lighting Technician |
Editing | Jo Anne Finan | Negative Cutter |
Sound | Graeme Revell | Conductor |
Lighting | Timothy 'Guido' Magaraci | Assistant Chief Lighting Technician |
Visual Effects | Angie Wills | Digital Effects Producer |
Camera | Brett Matthews | Focus Puller |
Lighting | Todd Carmody | Assistant Electrician |
Production | Lorisa D. Francis | Post Production Coordinator |
Camera | Nick Murray | Camera Trainee |
Directing | Michael Bate | Assistant Director |
Camera | Daniel Clark | Clapper Loader |
Production | Eleonore Crompton | Production Accountant |
Art | Beverley Dunn | Property Master |
Sound | Karen G. Wilson | Dialogue Editor |
Sound | Gloria D'Alessandro | Dialogue Editor |
Sound | Lindakay Brown | Dialogue Editor |
Sound | Paul 'Salty' Brincat | Sound Recordist |