A suburban housewife learns that she has psychic connections to a serial killer, and can predict this person's motives through her dreams.
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| Writing | Bari Wood | Novel |
| Writing | Bruce Robinson | Screenplay |
| Directing | Neil Jordan | Director |
| Crew | Dana Bertolette | Stunts |
| Crew | Jery Hewitt | Stunt Coordinator |
| Crew | Bill Anagnos | Stunts |
| Crew | Richard L. Blackwell | Stunts |
| Crew | Gene Harrison | Stunts |
| Crew | Don Hewitt Sr. | Stunts |
| Crew | Robin Lynn Bonaccorsi | Stunts |
| Crew | Peter Bucossi | Stunts |
| Crew | Danny Downey | Stunts |
| Crew | Donald John Hewitt | Stunts |
| Crew | Jennifer Lamb | Stunts |
| Crew | Charles Page | Stunts |
| Crew | Susan Purkhiser | Stunts |
| Crew | Keith Siglinger | Stunts |
| Crew | Jodi Michelle Pynn | Stunts |
| Crew | Steve Mack | Stunts |
| Crew | David Paul Lord | Stunts |
| Crew | John Patrick McLaughlin | Stunts |
| Crew | Norman Douglass | Stunts |
| Crew | Roy Farfel | Stunts |
| Crew | Kurt D. Lott | Stunts |
| Directing | Christo Morse | Second Assistant Director |
| Crew | Eliza Coleman | Stunts |
| Crew | Peter Epstein | Stunts |
| Crew | Janet Paparazzo | Stunts |
| Production | Nan Bernstein Freed | Unit Production Manager |
| Crew | Michael Russo | Stunts |
| Crew | Andrew Dupin | Stunts |
| Directing | Patrick Clayton | First Assistant Director |
| Art | Carl Sprague | Assistant Art Director |
| Production | Judy Richter | Production Supervisor |
| Art | Edward 'Tantar' LeViseur | Assistant Property Master |
| Costume & Make-Up | Lori Hicks | Key Makeup Artist |
| Camera | Alec Hirschfeld | "B" Camera Operator |
| Costume & Make-Up | Felice Diamond | Makeup Artist |
| Visual Effects | Yves De Bono | Special Effects Supervisor |
| Costume & Make-Up | Dawn Y. Line | Costume Supervisor |
| Camera | Josh Blakeslee | Camera Loader |
| Lighting | Richie Ford | Rigging Gaffer |
| Crew | Phil H. Fravel | Special Effects Technician |
| Costume & Make-Up | Shoshana Rubin | Costumer |
| Camera | François Duhamel | Still Photographer |
| Lighting | Jerry DeBlau | Chief Lighting Technician |
| Camera | Tim Driscoll | Grip |
| Camera | David Larue | Grip |
| Costume & Make-Up | Matiki Anoff | Makeup Artist |
| Lighting | Peter Girolami | Assistant Chief Lighting Technician |
| Camera | Chris Centrella | Key Grip |
| Camera | Tony Campenni | Dolly Grip |
| Directing | Robin Squibb | Script Supervisor |
| Camera | Dean M. King | Best Boy Grip |
| Crew | Ron Colucci | Special Effects Technician |
| Art | Kris Moran | Assistant Property Master |
| Costume & Make-Up | Suzanne McCabe | Assistant Costume Designer |
| Costume & Make-Up | Winsome G. McKoy | Set Costumer |
| Art | David Gulick | Property Master |
| Costume & Make-Up | Aaron F. Quarles | Key Hair Stylist |
| Costume & Make-Up | Jacqueline Payne | Hairstylist |
| Camera | Jerry Holway | Steadicam Operator |
| Sound | Louis Sabat | Boom Operator |
| Crew | David Hill | Special Effects Technician |
| Production | Nicole Furia | Production Accountant |
| Costume & Make-Up | Debbie Holbrook | Set Costumer |
| Art | Theodore Suchecki | Set Dresser |
| Art | Sarah Jackson Burt | Assistant Set Decoration |
| Production | Marty Keener Cherrix | Extras Casting |
| Art | George Jenson | Storyboard Artist |
| Art | Jeffrey DeBell | Set Dresser |
| Production | Anya Colloff | Casting Assistant |
| Crew | Guy Adan | Unit Publicist |
| Production | Maria DeVane | Post Production Accountant |
| Production | Laura Berning | Assistant Location Manager |
| Art | James V. Kent | Leadman |
| Production | Carolyn Pickman | Location Casting |
| Crew | Robert Martini | Transportation Captain |
| Sound | Curtis Roush | Music Editor |
| Sound | Jenny Lee Wright | Foley Artist |
| Lighting | Kenneth Dodd | Electrician |
| Sound | Paul Massey | Additional Sound Re-Recording Mixer |
| Lighting | Thomas C. Nisbet | Electrician |
| Production | Tricia Perrott | Post Production Coordinator |
| Sound | Ruth Sullivan | Foley Artist |
| Camera | Mike Roberts | Camera Operator |
| Camera | Bill Coe | First Assistant Camera |
| Art | John Grimolizzi | Construction Foreman |
| Sound | Leslie Shatz | Sound Designer |
| Sound | Sara Hegarty | Assistant Dialogue Editor |
| Sound | Robert Elhai | Orchestrator |
| Art | Anthony Dunne | Construction Coordinator |
| Lighting | Wayne Simpson | Electrician |
| Sound | Jonathan Sheffer | Conductor |
| Editing | Paul Ensby | Color Grading |
| Sound | Leslie Shatz | Sound Re-Recording Mixer |
| Camera | Marc Hirschfeld | First Assistant "B" Camera |
| Lighting | Matthew Brookman | Electrician |
| Sound | Philip Alton | Dialogue Editor |
| Sound | Elliot Goldenthal | Orchestrator |
| Camera | Adam Gilmore | Second Assistant Camera |
| Camera | Darius Khondji | Director of Photography |
| Crew | Kim Mozingo | Actor's Assistant |
| Editing | Tony Lawson | Editor |
| Art | Martin Laing | Art Direction |
| Production | Charles Burke | Producer |
| Art | Gretchen Rau | Set Decoration |
| Production | Janet Hirshenson | Casting |
| Crew | Bill Messina | Makeup Effects |
| Production | Jane Jenkins | Casting |
| Costume & Make-Up | Jeffrey Kurland | Costume Design |
| Writing | Neil Jordan | Screenplay |
| Sound | Elliot Goldenthal | Original Music Composer |
| Art | Nigel Phelps | Production Design |
| Production | Stephen Woolley | Producer |
| Production | Redmond Morris | Co-Producer |
| Crew | Bill 'Splat' Johnson | Makeup Effects |
| Sound | Matthias Gohl | Music Producer |
