Melvin Udall, a cranky, bigoted, obsessive-compulsive writer of romantic fiction, is rude to everyone he meets, including his gay neighbor, Simon. After Simon is hospitalized, Melvin finds his life turned upside down when he has to look after Simon's dog. In addition, Carol, the only waitress at the local diner who will tolerate him, must leave work to care for her sick son, making it impossible for Melvin to eat breakfast.
Is As Good as It Gets on Netflix? Yes! The movie As Good as It Gets is now on Netflix in the countries listed below.
| Directing | James L. Brooks | Director |
| Writing | James L. Brooks | Screenplay |
| Writing | Mark Andrus | Screenplay |
| Crew | Bruce Gregory | Stunts |
| Crew | Phil O'Dell | Stunts |
| Crew | David LeBell | Stunts |
| Crew | Felipe Savahge | Stunts |
| Sound | Armen Ksajikian | Musician |
| Art | Mark Wade | Property Master |
| Directing | Ray Quiroz | Script Supervisor |
| Crew | Walter Scott | Stunt Coordinator |
| Production | Aldric La'Auli Porter | Associate Producer |
| Production | Richard Marks | Co-Producer |
| Production | Bridget Johnson | Producer |
| Production | Maria Kavanaugh | Associate Producer |
| Production | John D. Schofield | Co-Producer |
| Production | Laura Ziskin | Executive Producer |
| Production | Laurence Mark | Executive Producer |
| Directing | William M. Connor | Second Assistant Director |
| Art | Brana Rosenfeld | Assistant Set Decoration |
| Production | Richard Sakai | Executive Producer |
| Production | Kristi Zea | Producer |
| Production | Jake Jacobson | Unit Production Manager |
| Directing | Aldric La'Auli Porter | First Assistant Director |
| Art | John Naehrlich | Leadman |
| Production | John D. Schofield | Unit Production Manager |
| Art | Masako Masuda | Assistant Art Director |
| Crew | Ken Fritz | Stunt Coordinator |
| Sound | David Giammarco | Supervising Sound Editor |
| Camera | Michael Stone | Camera Operator |
| Art | John Hammer Maxwell | Set Dresser |
| Art | John Maskovich | Set Dresser |
| Art | Bart C. Hubenthal | Set Dresser |
| Art | Scott G. Jones | Set Dresser |
| Sound | Cindy Marty | Sound Effects Editor |
| Camera | Michael Martinez | Second Assistant Camera |
| Camera | Donald E. Thorin Jr. | First Assistant Camera |
| Sound | Renée Tondelli | ADR Supervisor |
| Sound | Patrick Drummond | Sound Effects Editor |
| Sound | Nicholas Korda | ADR Editor |
| Sound | Jonathan Klein | Foley Editor |
| Sound | Rudy Pi | Sound Recordist |
| Sound | Kira Edmunds | Assistant Sound Editor |
| Sound | Mark Smith | Sound Re-Recording Mixer |
| Sound | Adam Milo Smalley | Music Editor |
| Sound | Jeff Wexler | Sound Mixer |
| Sound | Andy Malcolm | Foley Artist |
| Sound | Don Coufal | Boom Operator |
| Costume & Make-Up | Elaine Ramires | Wardrobe Supervisor |
| Sound | Christopher Flick | Foley Editor |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Sound | Jeff Gomillion | ADR Mixer |
| Sound | Zigmund Gron | Music Editor |
| Sound | Richard Duarte | Foley Mixer |
| Sound | Ron Bartlett | Sound Re-Recording Mixer |
| Crew | Gary Holland | Cableman |
| Sound | Jeffrey Pollack | Music Supervisor |
| Sound | Galen Goodpaster | First Assistant Sound Editor |
| Sound | Bill Ward | Assistant Sound Editor |
| Sound | Matt Colleran | Sound Recordist |
| Lighting | Mike Moyer | Chief Lighting Technician |
| Camera | Michael M. Krevitt | Key Grip |
| Costume & Make-Up | Stacye P. Branche | Makeup Artist |
| Art | Gary Deaton | Construction Coordinator |
| Lighting | David Burnett | Assistant Chief Lighting Technician |
| Costume & Make-Up | Donna Casey-Aira | Assistant Costume Designer |
| Production | Ralph Coleman | Location Manager |
| Editing | Theresa Repola Mohammed | Negative Cutter |
| Production | S. Todd Christensen | Assistant Location Manager |
| Camera | Thomas Wazney | Best Boy Grip |
| Costume & Make-Up | Linda Arnold | Hair Supervisor |
| Costume & Make-Up | Joy Zapata | Hairstylist |
| Crew | William B. Doane | Special Effects Coordinator |
| Costume & Make-Up | Mary Elizabeth Still | Costumer |
| Costume & Make-Up | Darrell Redleaf-Fielder | Hairstylist |
| Editing | Dale E. Grahn | Color Timer |
| Costume & Make-Up | Michèle Burke | Makeup Supervisor |
| Costume & Make-Up | James Lapidus | Costumer |
| Production | Yvonne Yaconelli | Production Office Coordinator |
| Visual Effects | George Merkert | Visual Effects Producer |
| Art | Martin Charles | Graphic Designer |
| Camera | Michael Connors | Dolly Grip |
| Directing | Hans Berggren | Other |
| Art | Clay A. Griffith | Set Decoration |
| Production | Francine Maisler | Casting |
| Production | Owen Wilson | Associate Producer |
| Editing | Gena Bleier | Assistant Editor |
| Camera | John Bailey | Director of Photography |
| Production | Karen E. Etcoff | Casting |
| Directing | Susan Perlman | Other |
| Crew | Michael Besman | Thanks |
| Editing | Richard Marks | Editor |
| Sound | Bruce Fowler | Orchestrator |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Art | Bill Brzeski | Production Design |
| Costume & Make-Up | Molly Maginnis | Costume Design |
| Costume & Make-Up | Carrie Angland | Makeup Artist |
| Art | Philip Toolin | Art Direction |
| Crew | Julie Ansell | Thanks |
| Crew | Chester E. Tripp III | Stunts |
| Sound | Dennis Drummond | Supervising Sound Editor |
| Lighting | Greg Addison | Lighting Technician |
| Writing | Mark Andrus | Story |
| Crew | Gene LeBell | Stunts |
| Sound | Hans Zimmer | Original Music Composer |
| Crew | Julia Davis | Stunt Double |
| Crew | BJ Davis | Stunt Double |
| Crew | Julia Davis | Stunt Coordinator |
| Editing | Hilary Schroeder | Assistant Editor |
| Editing | Jeffrey Ford | Assistant Editor |
| Crew | Denise Lynne Roberts | Stunts |
| Production | Barbara Harris | ADR Voice Casting |
| Art | Pablo Ferro | Title Designer |
| Visual Effects | Tim McGovern | Visual Effects Supervisor |
| Production | James L. Brooks | Producer |
