Year 2038: The mineral resources of the earth are drained, in space there are fights for the last deposits on other planets and satellites. This is the situation when one of the bigger mining corporations has lost all but one mineral moons and many of their fully automatic mining robots are disappearing on their flight home. Since nobody else wants the job, they send prisoners to defend the mining station. Among them undercover agent Stone, who shall clear the whereabouts of the expensive robots. In an atmosphere of corruption, fear and hatred he gets between the fronts of rivaling groups.
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| Directing | Roland Emmerich | Director |
| Writing | Dean Heyde | Screenplay |
| Writing | Oliver Eberle | Screenplay |
| Production | Roland Emmerich | Producer |
| Production | Ute Emmerich | Producer |
| Production | Dean Heyde | Producer |
| Production | Carsten H.W. Lorenz | Line Producer |
| Production | Michael Scordino | Executive Producer |
| Camera | Karl Walter Lindenlaub | Director of Photography |
| Editing | Tomy Wigand | Editor |
| Production | Joe Reich | Casting |
| Art | Oliver Scholl | Production Design |
| Art | Sven Hass | Set Decoration |
| Costume & Make-Up | Ha Nguyen | Costume Design |
| Costume & Make-Up | Robin Schannewitzki | Costume Design |
| Production | Jakob Claussen | Production Manager |
| Crew | Robert Gerard Brown | Second Unit |
| Art | Frank Bollinger | Construction Coordinator |
| Costume & Make-Up | Marc Gäbelein | Set Dressing Artist |
| Costume & Make-Up | Wolfgang Haupt | Set Dressing Artist |
| Costume & Make-Up | Florian Lehner | Set Dressing Artist |
| Sound | Hubert Bartholomae | Sound Designer |
| Sound | Chris Ledesma | Music Editor |
| Crew | Volker Engel | Special Effects |
| Crew | Joachim Grüninger | Special Effects |
| Crew | Theo Nischwitz | Special Effects |
| Visual Effects | Volker Engel | Visual Effects Supervisor |
| Visual Effects | Bernd Kammermeier | Visual Effects |
| Visual Effects | Carl Schmitt | Modeling |
| Lighting | Wolfram Anders | Electrician |
| Lighting | Horst Markgraf | Electrician |
| Lighting | Mario Müller | Electrician |
| Lighting | Rainer Pfister | Best Boy Electrician |
| Lighting | Rainer Pfister | Electrician |
| Lighting | Christian Saalfeld | Electrician |
| Camera | Frank Scharl | Grip |
| Lighting | Honorat Stangl | Gaffer |
| Camera | Thomas Ch. Weber | Additional Photography |
| Visual Effects | Hartmut Keller | Animation |
| Visual Effects | Klaus Knoesel | Animation |
| Visual Effects | Holger Neuhäuser | Animation |
| Visual Effects | Sikander Goldau | I/O Supervisor |
| Visual Effects | Andreas Hoffmann | Chief Technician / Stop-Motion Expert |
| Visual Effects | Hartmut Keller | Chief Technician / Stop-Motion Expert |
| Visual Effects | Oliver Steegmueller | Chief Technician / Stop-Motion Expert |
| Directing | Andrea Wimmer | Script Supervisor |
| Camera | Markus Dürr | First Assistant Camera |
| Costume & Make-Up | Delia Mündelein | Makeup Artist |
| Costume & Make-Up | Suleika Ulmen | Makeup Artist |
| Art | Sonja B. Zimmer | Construction Coordinator |
| Sound | Jack Smalley | Orchestrator |
| Sound | Christopher L. Stone | Orchestrator |
| Sound | Joel Goldsmith | Original Music Composer |
| Sound | Jens Hasler | Sound |
| Writing | Dean Heyde | Story |
| Writing | Oliver Eberle | Story |
| Writing | Roland Emmerich | Story |
| Writing | P.J. Mitchell | Story |
