A man wakes up in an alley, bleeding and with no memory of who he is. He stumbles into a coffee shop and is befriended by a charitable ex-nun who is failing in her attempts to write marketable pornography.
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| Directing | Hal Hartley | Director |
| Writing | Hal Hartley | Writer |
| Art | Amy Tapper | Set Decoration |
| Art | Jennifer Baime | Set Decoration |
| Art | Steve Rosenzweig | Production Design |
| Art | Ginger Tougas | Art Direction |
| Editing | Steve Hamilton | Editor |
| Production | Billy Hopkins | Casting |
| Costume & Make-Up | Alexandra Welker | Costume Design |
| Art | Joyce Pierpoline | Art Department Coordinator |
| Production | Ted Hope | Producer |
| Sound | Jeffrey Taylor | Music |
| Production | Hal Hartley | Producer |
| Sound | Hal Hartley | Music |
| Camera | Richard Ludwig | Still Photographer |
| Camera | Michael Spiller | Director of Photography |
| Production | Scott Meek | Executive Producer |
| Costume & Make-Up | Marjorie Durand | Key Makeup Artist |
| Crew | Drew Jiritano | Special Effects |
| Crew | Ron Petruccione | Special Effects |
| Camera | Storn Peterson | First Assistant Camera |
| Directing | Gregory Jacobs | First Assistant Director |
| Art | Linda Harvey | Construction Coordinator |
| Editing | Susan Littenberg | Assistant Editor |
| Sound | Marko Costanzo | Foley Artist |
| Sound | Steve Silkensen | Sound Editor |
| Sound | Jeff Pullman | Sound Mixer |
| Lighting | Frank Stubblefield | Gaffer |
| Production | Kerry Barden | Casting Assistant |
| Directing | Allen Kupetsky | Second Assistant Director |
| Art | Constance Van Flandern | Set Propsman |
| Directing | Robert C. Albertell | Third Assistant Director |
| Art | David Doernberg | Property Master |
| Sound | Susan Littenberg | Sound Editor |
| Crew | Phil Neilson | Stunt Coordinator |
| Production | Eddy Collyns | Location Manager |
| Sound | Paul Koronkiewicz | Boom Operator |
| Production | Jerome Brownstein | Executive Producer |
| Production | Yves Marmion | Executive Producer |
| Crew | Susan Blume | Scenic Artist |
| Sound | Jeanne Gilliland | Boom Operator |
| Production | Christopher Goode | Production Manager |
| Lighting | Joe Stubblefield | Electrician |
| Costume & Make-Up | Kathryn Nixon | Assistant Costume Designer |
| Production | Lindsay Law | Executive Producer |
| Production | Rob Cosentino | Art Department Production Assistant |
| Camera | Bart Blaise | Second Assistant Camera |
| Lighting | Linda Phillips | Electrician |
| Camera | Danya Reich | Second Assistant Camera |
| Costume & Make-Up | Marina Marit | Wardrobe Supervisor |
| Camera | Paul Candrilli | Key Grip |
| Costume & Make-Up | Judy Chin | Makeup Artist |
| Art | Sarah Lavery | Props |
| Lighting | Richard Breen | Best Boy Electric |
| Camera | Paul Nickason | Dolly Grip |
| Editing | Alex Albanese | First Assistant Editor |
| Production | Jocelyn Jansons | Location Assistant |
| Production | Suzanne Smith Crowley | Casting |
| Sound | Reilly Steele | Sound Re-Recording Mixer |
| Crew | Ron Petruccione | Stunts |
| Camera | Leonard Freed | Additional Still Photographer |
| Crew | Fliss Coombs | Unit Publicist |
| Crew | Roger Kass | Legal Services |
| Crew | Rick Washburn | Weapons Master |
| Crew | Lilene Mansell | Dialect Coach |
| Production | Greg White | Production Assistant |
| Production | Paul C. Arianas | Assistant Production Coordinator |
| Production | Victoria McGarry | Production Coordinator |
| Production | Andrew Saxe | Assistant Location Manager |
| Crew | Brian Maxwell | Transportation Captain |
| Art | Randall Balsmeyer | Title Designer |
| Production | Erik L. Barnes | Production Assistant |
| Camera | Eric M. Klein | Best Boy Grip |
