In late-1970s suburban London, Chris and Marion have settled into a comfortable yet all-too-predictable middle-class existence. Chris receives an unexpected visit from his free-spirited friend Toni, a reunion that reminds him of a more carefree time in 1960s Paris. Now, with lingering doubts about his marriage bubbling up, Chris must make the choice between revisiting his youthful abandon with Toni or facing the here and now with Marion.
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| Directing | Philip Saville | Director |
| Writing | Adrian Hodges | Writer |
| Sound | Ken Barton | Dialogue Editor |
| Editing | Greg Miller | Editor |
| Costume & Make-Up | Roseann Samuel | Makeup Designer |
| Sound | Julie Ankerson | Foley Editor |
| Costume & Make-Up | Jenny Beavan | Costume Design |
| Sound | Tim Alban | Sound |
| Art | John Bush | Set Decoration |
| Costume & Make-Up | Beverley Binda | Assistant Makeup Artist |
| Camera | Jean-François Robin | Director of Photography |
| Art | Don Taylor | Production Design |
| Art | Mark Kebby | Art Direction |
| Costume & Make-Up | Elaine Nichols | Assistant Makeup Artist |
| Sound | John Pitt | Sound |
| Production | John Wyn Evans | Executive Producer |
| Production | Adrian Hodges | Associate Producer |
| Camera | Simon Finney | Focus Puller |
| Camera | Peter Mountain | Still Photographer |
| Production | Antoine de Clermont-Tonnerre | Co-Producer |
| Camera | Leigh Gold | Focus Puller |
| Lighting | Richard Vidal | Electrician |
| Sound | Stuart Davies | Dialogue Editor |
| Lighting | Mitch Spooner | Genetator Operator |
| Sound | Brian Simmons | Sound Recordist |
| Sound | Fiona Woolley | Sound Effects Editor |
| Production | François-Xavier Decraene | Line Producer |
| Sound | John Sewell | Foley Artist |
| Sound | Tom Fawcett | Dialogue Editor |
| Sound | Tim Owens | Dialogue Editor |
| Lighting | Sean Young | Standby Rigger |
| Sound | Simon Gershon | Sound Effects Editor |
| Lighting | Gary Parnham | Electrician |
| Production | Enrique Posner | Co-Producer |
| Production | Joy Spink | Line Producer |
| Lighting | Tony Burns | Electrician |
| Sound | Jeremy Price | Foley Recordist |
| Sound | Roz Colls | Music Supervisor |
| Lighting | John Attwood | Electrician |
| Camera | Merritt Gold | Focus Puller |
| Production | Kate Rhodes James | Casting |
| Production | Andrew Bendel | Producer |
| Lighting | Ian Franklin | Electrician |
| Lighting | Dave Gray | Standby Rigger |
| Camera | Alf Tramontin | Steadicam Operator |
| Directing | Susanna Lenton | Script Supervisor |
| Crew | Tom Delmar | Stunt Coordinator |
| Camera | Danny Cohen | Clapper Loader |
| Camera | Paul Englefield | Second Unit Director of Photography |
| Camera | Jamie Sewell | Clapper Loader |
| Camera | Roger Tooley | Steadicam Operator |
| Sound | Andre Schmidt | Sound Effects Editor |
| Production | Martine De Clermont-Tonnerre | Executive Producer |
| Lighting | Eric Baraillon | Electrician |
| Camera | Marie-Laure Prost | Focus Puller |
| Camera | Andy Young | Grip |
| Lighting | Jimmy Wilson | Gaffer |
| Directing | Laurent Soulet | Assistant Director |
| Directing | Nanna Mailand-Mercado | Third Assistant Director |
| Directing | William Booker | Second Assistant Director |
| Directing | Guy Travers | First Assistant Director |
| Sound | Guy Fletcher | Musician |
| Writing | Julian Barnes | Novel |
