In late-1970s suburban London, Chris and Marion have settled into a comfortable yet all-too-predictable middle-class existence. Chris receives an unexpected visit from his free-spirited friend Toni, a reunion that reminds him of a more carefree time in 1960s Paris. Now, with lingering doubts about his marriage bubbling up, Chris must make the choice between revisiting his youthful abandon with Toni or facing the here and now with Marion.
Is Metroland on Netflix? Unfortunately the movie Metroland is not yet available on Netflix.
| Directing | Philip Saville | Director |
| Writing | Adrian Hodges | Writer |
| Camera | Jean-François Robin | Director of Photography |
| Art | Mark Kebby | Art Direction |
| Sound | Julie Ankerson | Foley Editor |
| Costume & Make-Up | Elaine Nichols | Assistant Makeup Artist |
| Costume & Make-Up | Roseann Samuel | Makeup Designer |
| Sound | Ken Barton | Dialogue Editor |
| Costume & Make-Up | Jenny Beavan | Costume Design |
| Sound | Tim Alban | Sound |
| Costume & Make-Up | Beverley Binda | Assistant Makeup Artist |
| Art | John Bush | Set Decoration |
| Editing | Greg Miller | Editor |
| Art | Don Taylor | Production Design |
| Production | John Wyn Evans | Executive Producer |
| Camera | Jamie Sewell | Clapper Loader |
| Lighting | Ian Franklin | Electrician |
| Sound | Roz Colls | Music Supervisor |
| Camera | Leigh Gold | Focus Puller |
| Sound | Andre Schmidt | Sound Effects Editor |
| Production | Adrian Hodges | Associate Producer |
| Camera | Paul Englefield | Second Unit Director of Photography |
| Camera | Alf Tramontin | Steadicam Operator |
| Sound | Tim Owens | Dialogue Editor |
| Sound | John Sewell | Foley Artist |
| Camera | Peter Mountain | Still Photographer |
| Lighting | John Attwood | Electrician |
| Camera | Merritt Gold | Focus Puller |
| Camera | Roger Tooley | Steadicam Operator |
| Production | Kate Rhodes James | Casting |
| Lighting | Richard Vidal | Electrician |
| Sound | Brian Simmons | Sound Recordist |
| Crew | Tom Delmar | Stunt Coordinator |
| Camera | Danny Cohen | Clapper Loader |
| Lighting | Eric Baraillon | Electrician |
| Sound | Jeremy Price | Foley Recordist |
| Camera | Simon Finney | Focus Puller |
| Lighting | Dave Gray | Standby Rigger |
| Camera | Marie-Laure Prost | Focus Puller |
| Lighting | Mitch Spooner | Genetator Operator |
| Sound | John Pitt | Sound |
| Directing | Susanna Lenton | Script Supervisor |
| Lighting | Tony Burns | Electrician |
| Sound | Simon Gershon | Sound Effects Editor |
| Production | Andrew Bendel | Producer |
| Production | Enrique Posner | Co-Producer |
| Production | Joy Spink | Line Producer |
| Production | Martine De Clermont-Tonnerre | Executive Producer |
| Sound | Stuart Davies | Dialogue Editor |
| Sound | Tom Fawcett | Dialogue Editor |
| Sound | Fiona Woolley | Sound Effects Editor |
| Production | François-Xavier Decraene | Line Producer |
| Production | Antoine de Clermont-Tonnerre | Co-Producer |
| Lighting | Gary Parnham | Electrician |
| Lighting | Sean Young | Standby Rigger |
| Camera | Andy Young | Grip |
| Lighting | Jimmy Wilson | Gaffer |
| Directing | Laurent Soulet | Assistant Director |
| Directing | Nanna Mailand-Mercado | Third Assistant Director |
| Directing | Guy Travers | First Assistant Director |
| Directing | William Booker | Second Assistant Director |
| Sound | Guy Fletcher | Musician |
| Writing | Julian Barnes | Novel |
