During WWII, Germans obtain the immortal heart of Frankenstein's monster and transport it to Japan to prevent it being seized by the Allies. Kept in a Hiroshima laboratory, it is seeming lost when the United States destroys the city with the atomic bomb. Years later a wild boy is discovered wandering the streets of the city alone, born of the immortal heart.
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Sound | Akira Ifukube | Original Music Composer |
Writing | Takeshi Kimura | Screenplay |
Camera | Hajime Koizumi | Director of Photography |
Editing | Ryôhei Fujii | Editor |
Directing | Ishirō Honda | Director |
Writing | Jerry Sohl | Novel |
Costume & Make-Up | Riki Konna | Makeup Artist |
Art | Takeo Kita | Production Design |
Production | Reuben Bercovitch | Executive Producer |
Production | Samuel Z. Arkoff | Executive Producer |
Production | Henry G. Saperstein | Executive Producer |
Crew | Eiji Tsuburaya | Special Effects |
Writing | Reuben Bercovitch | Original Story |
Sound | Wataru Onuma | Sound Recordist |
Lighting | Seishichi Kojima | Lighting Technician |
Crew | Teruyoshi Nakano | Special Effects |
Visual Effects | Teruyoshi Nakano | Visual Effects |
Writing | Mary Shelley | Characters |
Production | Tomoyuki Tanaka | Executive Producer |
Visual Effects | Eiji Tsuburaya | Visual Effects Director |
Production | Yorihiko Yamada | Production Manager |
Visual Effects | Motoyoshi Tomioka | Visual Effects Camera |
Visual Effects | Yoshiyuki Tokumasa | Visual Effects |
Visual Effects | Sadamasa Arikawa | Visual Effects Camera |
Visual Effects | Yukio Manoda | Visual Effects |
Crew | Akira Watanabe | Visual Effects Art Director |
Visual Effects | Choji Koike | Visual Effects Production Manager |
Lighting | Kuichirô Kishida | Lighting Technician |
Visual Effects | Hiroshi Mukoyama | Visual Effects Compositor |
Art | Takeo Kita | Art Direction |
Sound | Hisashi Shimonaga | Sound Mixer |
Directing | Koji Kajita | Assistant Director |
Sound | Sadamasa Nishimoto | Sound Effects |
Crew | Heihachirō Ōkawa | Translator |