During the Second World War, a special project is begun by the US Army Air Corps to integrate African American pilots into the Fighter Pilot Program. Known as the "Tuskegee Airman" for the name of the airbase at which they were trained, these men were forced to constantly endure harassement, prejudice, and much behind the scenes politics until at last they were able to prove themselves in combat.
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| Directing | Robert Markowitz | Director |
| Writing | Paris Qualles | Teleplay |
| Writing | Trey Ellis | Teleplay |
| Writing | Ron Hutchinson | Teleplay |
| Writing | Robert Williams | Story |
| Production | Robert Williams | Co-Executive Producer |
| Production | Bill Carraro | Producer |
| Production | Frank Price | Executive Producer |
| Production | Carol Bahoric | Co-Producer |
| Sound | Lee Holdridge | Music |
| Camera | Ron Orieux | Director of Photography |
| Editing | David Beatty | Editor |
| Production | Robi Reed | Casting |
| Art | Christiaan Wagener | Production Design |
| Art | Russell J. Smith | Art Direction |
| Art | Ernie Bishop | Set Decoration |
| Costume & Make-Up | Ileane Meltzer | Costume Design |
| Costume & Make-Up | Nadyne Peoples | Key Hair Stylist |
| Costume & Make-Up | Stacye P. Branche | Key Makeup Artist |
| Costume & Make-Up | Denise Fischer | Makeup Artist |
| Costume & Make-Up | Vicki Jones | Makeup Artist |
| Costume & Make-Up | Steve Marshall | Makeup Artist |
| Costume & Make-Up | Dana Tanner | Makeup Artist |
| Art | Mary Louise Stoughton | Art Department Coordinator |
| Art | Tom Reta | Assistant Art Director |
| Art | Ronald O. Jaynes | Construction Coordinator |
| Art | Suzanne Lapick | Property Master |
| Art | Sue Savage | Set Designer |
| Crew | Fred Cramer | Special Effects Coordinator |
| Visual Effects | Billy Williams | Visual Effects Coordinator |
| Visual Effects | Michael Muscal | Visual Effects Supervisor |
| Crew | Ray McIntyre Jr. | Digital Effects Supervisor |
| Camera | David L. Butler | Aerial Director of Photography |
| Camera | Frank M. Holgate | Aerial Director of Photography |
| Camera | Pernell Youngblood Tyus | Camera Operator |
| Camera | Randy Feemster | Aerial Camera |
| Camera | George Wells | Dolly Grip |
| Lighting | Bob Fox | Gaffer |
| Camera | Lindy Alsobrooks | Key Grip |
| Lighting | Ross Warren | Rigging Gaffer |
| Lighting | John Janusek | Rigging Grip |
| Camera | D. Stevens | Still Photographer |
| Sound | Scott C. Evans | Boom Operator |
| Sound | Nick Alphin | Sound Re-Recording Mixer |
| Sound | Wayne Artman | Sound Re-Recording Mixer |
| Sound | Robert L. Harman | Sound Re-Recording Mixer |
| Sound | Kristi Johns | Supervising ADR Editor |
| Sound | G. Michael Graham | Supervising Sound Editor |
| Production | Ángela Ortiz | Casting Associate |
| Costume & Make-Up | Scott Tomlinson | Assistant Costume Designer |
| Costume & Make-Up | Heidi Kure | Set Costumer |
| Costume & Make-Up | Craig Anthony | Wardrobe Supervisor |
| Editing | Z. Jean Woods | First Assistant Editor |
| Sound | Mark Heyes | Music Editor |
| Sound | Stan Jones | Music Editor |
| Directing | Benita Brazier | Script Supervisor |
| Directing | Dawn Gilliam | Script Supervisor |
