Set in an apartment building whose occupants include Arthur Earthleigh, a meek and mild type married to the beautiful-but-domineering Mae; a Bohemian artist, David Galleo and his always-there model, Deborah Tyler; and Olive Jensen, a Greenwich Village type who is always slightly-but-continuously inebriated, and whose motto is "love and let love." She calls on George while his wife is out, and when she passes out during his attempts to get her out before his wife returns, he thinks she is dead and deposits her on Galleo's terrace. Galleo takes advantage of the situation by using it in a blackmail scheme against Arthur, which is shaky, at best, as Olive refuses to stay dead.
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| Production | Isadore Goldsmith | Producer |
| Costume & Make-Up | Thomas Tuttle | Makeup Artist |
| Sound | William H. Lynch | Sound Mixer |
| Art | Armor Marlowe | Set Decoration |
| Costume & Make-Up | Doris Rowland | Hairstylist |
| Sound | Carmen Dragon | Music |
| Sound | Irving Friedman | Music Director |
| Costume & Make-Up | Don Loper | Costume Supervisor |
| Art | Edward C. Jewell | Art Direction |
| Directing | Howard W. Koch | Assistant Director |
| Camera | Jackson Rose | Director of Photography |
| Editing | Norman Colbert | Editor |
| Editing | Alfred DeGaetano | Supervising Editor |
| Production | Bryan Foy | Executive In Charge Of Production |
| Costume & Make-Up | Ern Westmore | Makeup Artist |
| Sound | Leon Becker | Sound Director |
| Crew | Stewart Stern | Other |
| Writing | Vera Caspary | Screenplay |
| Writing | Vera Caspary | Story |
| Directing | Leigh Jason | Director |
| Writing | Edward Eliscu | Screenplay |
| Writing | Walter Bullock | Screenplay |
| Costume & Make-Up | Eunice King | Hairstylist |
