Wealthy American, Jervis Pendleton has a chance encounter at a French orphanage with a cheerful 18-year-old resident, and anonymously pays for her education at a New England college. She writes letters to her mysterious benefactor regularly, but he never writes back. Several years later, he visits her at school, while still concealing his identity, and—despite their large age difference—they soon fall in love.
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Directing | Jean Negulesco | Director |
Writing | Henry Ephron | Screenplay |
Writing | Phoebe Ephron | Screenplay |
Writing | Jean Webster | Novel |
Production | Samuel G. Engel | Producer |
Camera | Leon Shamroy | Director of Photography |
Sound | Cyril J. Mockridge | Original Music Composer |
Sound | Alfred Newman | Original Music Composer |
Art | Lyle R. Wheeler | Art Direction |
Art | John DeCuir | Art Direction |
Art | Paul S. Fox | Set Decoration |
Editing | William Reynolds | Editor |
Art | Walter M. Scott | Set Decoration |
Directing | William E. Orr | Script Supervisor |
Costume & Make-Up | Helen Turpin | Hairstylist |
Directing | Eli Dunn | Assistant Director |
Costume & Make-Up | Ben Nye | Makeup Artist |
Sound | Johnny Mercer | Songs |
Sound | Alfred Bruzlin | Sound |
Sound | Alfred Newman | Conductor |
Sound | Bernard Mayers | Orchestrator |
Sound | Billy May | Orchestrator |
Costume & Make-Up | Kay Nelson | Costume Design |
Costume & Make-Up | Tom Keogh | Costume Design |
Sound | Harry M. Leonard | Sound |
Sound | Edward B. Powell | Orchestrator |
Sound | Earle Hagen | Orchestrator |
Costume & Make-Up | Charles LeMaire | Wardrobe Supervisor |
Camera | Leonard Doss | Other |
Sound | Alfred Newman | Music Supervisor |
Sound | Skip Martin | Orchestrator |
Crew | Fred Astaire | Choreographer |
Sound | Alex North | Music |
Crew | Roland Petit | Choreographer |
Crew | David Robel | Choreographer |
Sound | Ken Darby | Vocal Coach |
Crew | Ray Kellogg | Special Effects |