The drama tells the story of John Lennon's teenage years in Liverpool and the start of his journey to becoming a successful musician. The story also examines the impact on his early life and personality of the two dominant females in his childhood.
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Production | Robert Bernstein | Producer |
Production | Jon Diamond | Executive Producer |
Production | Tim Haslam | Executive Producer |
Production | Nina Gold | Casting |
Production | Kevin Loader | Producer |
Writing | Matt Greenhalgh | Screenplay |
Directing | Sam Taylor-Johnson | Director |
Art | Lisa Collins | Standby Painter |
Costume & Make-Up | Jeremy Woodhead | Makeup Designer |
Costume & Make-Up | Jeremy Woodhead | Hair Designer |
Sound | Ian Neil | Music Supervisor |
Production | Jennifer Wynne | Production Manager |
Directing | Alex Oakley | First Assistant Director |
Directing | Susanna Lenton | Script Supervisor |
Production | Jason Wheeler | Location Manager |
Costume & Make-Up | Paul Mooney | Hairdresser |
Sound | Martin Trevis | Sound Mixer |
Sound | John Midgley | Sound Mixer |
Sound | Paul Cotterell | Sound Re-Recording Mixer |
Crew | Louise Seymour | Post Production Supervisor |
Sound | Simon Chase | Supervising Sound Editor |
Directing | Mark Hopkins | Second Assistant Director |
Production | Mona Benjamin | Production Coordinator |
Production | John Miles | Production Accountant |
Production | Kharmel Cochrane | Casting Assistant |
Production | Robert Sterne | Casting Assistant |
Crew | Les Child | Choreographer |
Crew | William Conacher | Dialogue Coach |
Camera | Peter Robertson | Camera Operator |
Camera | Peter Robertson | Steadicam Operator |
Camera | Peter Batten | "B" Camera Operator |
Camera | Mark Milsome | "B" Camera Operator |
Lighting | Lee Walters | Gaffer |
Lighting | Paul Sharp | Best Boy Electric |
Camera | Gary Hutchings | Key Grip |
Art | James Collins | Assistant Art Director |
Art | Colin Mutch | Property Master |
Costume & Make-Up | Shahida Day | Assistant Costume Designer |
Costume & Make-Up | Jane Marcantonio | Wardrobe Supervisor |
Costume & Make-Up | Lesley Smith | Makeup & Hair |
Camera | Liam Daniel | Still Photographer |
Crew | Charles McDonald | Unit Publicist |
Crew | Andy Bennett | Stunt Coordinator |
Sound | Phillip Barrett | Foley Mixer |
Sound | Simon Trundle | Foley Mixer |
Sound | Paul Hanks | Foley Artist |
Sound | Ian Waggott | Foley Artist |
Production | Vanessa Baker | ADR Voice Casting |
Sound | Peter Clarke | Music Editor |
Sound | Alison Goldfrapp | Original Music Composer |
Sound | Will Gregory | Original Music Composer |
Camera | Seamus McGarvey | Director of Photography |
Editing | Lisa Gunning | Editor |
Art | Alice Normington | Production Design |
Art | Charmian Adams | Art Direction |
Art | Barbara Herman-Skelding | Set Decoration |
Costume & Make-Up | Julian Day | Costume Design |
Production | Douglas Rae | Producer |
Production | Giles Cooper | Consulting Producer |
Production | Matt Delargy | Co-Producer |
Production | Jaynie Miller | Associate Producer |
Production | Christopher Moll | Executive Producer |
Production | Paul Ritchie | Co-Producer |
Production | Tessa Ross | Executive Producer |
Production | James Saynor | Co-Producer |
Production | Rhodri Thomas | Co-Executive Producer |
Production | Harvey Weinstein | Co-Executive Producer |
Production | Bob Weinstein | Co-Executive Producer |
Production | Mark Woolley | Executive Producer |