Parisian nightclub owner Simone Pistache is known for her performances of the can-can, which attracts the ire of the self-righteous Judge Philipe Forrestier. He hatches a plot to photograph her in the act but ends up falling for her — much to the chagrin of her boyfriend, lawyer François Durnais.
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| Art | Paul S. Fox | Set Decoration |
| Art | Lyle R. Wheeler | Art Direction |
| Art | Jack Martin Smith | Art Direction |
| Art | Walter M. Scott | Set Decoration |
| Costume & Make-Up | Irene Sharaff | Costume Design |
| Costume & Make-Up | Ben Nye | Makeup Artist |
| Art | Tom Keogh | Title Designer |
| Sound | W. D. Flick | Sound |
| Directing | Joseph E. Rickards | Assistant Director |
| Editing | Robert L. Simpson | Editor |
| Sound | Fred Hynes | Recording Supervision |
| Costume & Make-Up | Myrl Stoltz | Hairstylist |
| Camera | Leonard Doss | Other |
| Production | Saul Chaplin | Associate Producer |
| Costume & Make-Up | Tony Duquette | Costume Consultant |
| Writing | Dorothy Kingsley | Screenplay |
| Writing | Charles Lederer | Screenplay |
| Directing | Walter Lang | Director |
| Sound | Nelson Riddle | Music Arranger |
| Production | Jack Cummings | Producer |
| Sound | Nelson Riddle | Conductor |
| Writing | Abe Burrows | Theatre Play |
| Sound | Bobby Tucker | Vocal Coach |
| Writing | Cole Porter | Lyricist |
| Sound | Cole Porter | Music |
| Camera | William H. Daniels | Director of Photography |
| Sound | Cole Porter | Songs |
| Crew | Hermes Pan | Choreographer |
