Set during the unsettling disappearances in Buenos Aires during the dictatorship of the 1970s, the film involves theater director Carlos Rueda and his wife Cecilia. Shortly after Cecilia writes an editorial commentary questioning the mysterious abductions, she is herself abducted and taken into police custody.
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| Directing | Christopher Hampton | Director |
| Costume & Make-Up | Manolo García | Hairstylist |
| Production | Kirk D'Amico | Executive Producer |
| Production | Lourdes Diaz | Co-Executive Producer |
| Sound | Tom Jenkins | Sound |
| Production | Janey Fothergill | Casting |
| Production | Isabel Mulá | Co-Producer |
| Production | Raúl Outeda | Producer |
| Production | Santiago Prozo | Producer |
| Production | Michael Peyser | Producer |
| Sound | Craig Irving | Sound Re-Recording Mixer |
| Camera | Guillermo Navarro | Director of Photography |
| Art | Bárbara Pérez-Solero | Production Design |
| Costume & Make-Up | Bina Daigeler | Costume Design |
| Production | José María Cunillés | Co-Producer |
| Editing | George Akers | Editor |
| Costume & Make-Up | Morag Ross | Makeup Artist |
| Production | Geoffrey C. Lands | Producer |
| Costume & Make-Up | Ana Lozano | Makeup Department Head |
| Production | Diane Isaacs | Producer |
| Production | Philip von Alvensleben | Co-Executive Producer |
| Art | Laura Musso | Set Decoration |
| Costume & Make-Up | Nena Smarz | Makeup Artist |
| Sound | George Fenton | Original Music Composer |
| Sound | Jason Adams | Foley Editor |
| Production | Jordi Ros | Co-Executive Producer |
| Production | Lucas Foster | Co-Executive Producer |
