Set during the unsettling disappearances in Buenos Aires during the dictatorship of the 1970s, the film involves theater director Carlos Rueda and his wife Cecilia. Shortly after Cecilia writes an editorial commentary questioning the mysterious abductions, she is herself abducted and taken into police custody.
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| Directing | Christopher Hampton | Director |
| Costume & Make-Up | Manolo García | Hairstylist |
| Production | Diane Isaacs | Producer |
| Production | Kirk D'Amico | Executive Producer |
| Production | Isabel Mulá | Co-Producer |
| Production | Raúl Outeda | Producer |
| Camera | Guillermo Navarro | Director of Photography |
| Art | Bárbara Pérez-Solero | Production Design |
| Production | Michael Peyser | Producer |
| Production | Janey Fothergill | Casting |
| Sound | George Fenton | Original Music Composer |
| Costume & Make-Up | Ana Lozano | Makeup Department Head |
| Editing | George Akers | Editor |
| Art | Laura Musso | Set Decoration |
| Production | Lourdes Diaz | Co-Executive Producer |
| Production | Geoffrey C. Lands | Producer |
| Production | Santiago Prozo | Producer |
| Production | José María Cunillés | Co-Producer |
| Costume & Make-Up | Morag Ross | Makeup Artist |
| Sound | Craig Irving | Sound Re-Recording Mixer |
| Sound | Tom Jenkins | Sound |
| Costume & Make-Up | Bina Daigeler | Costume Design |
| Costume & Make-Up | Nena Smarz | Makeup Artist |
| Production | Philip von Alvensleben | Co-Executive Producer |
| Sound | Jason Adams | Foley Editor |
| Production | Jordi Ros | Co-Executive Producer |
| Production | Lucas Foster | Co-Executive Producer |
