A pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.
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| Directing | George Sidney | Director |
| Writing | Dorothy Kingsley | Screenplay |
| Writing | Sam Spewack | Theatre Play |
| Writing | Bella Spewack | Theatre Play |
| Writing | William Shakespeare | Theatre Play |
| Sound | Cole Porter | Songs |
| Writing | William Shakespeare | Original Story |
| Camera | Charles Rosher | Director of Photography |
| Production | Jack Cummings | Producer |
| Editing | Ralph E. Winters | Editor |
| Crew | Bob Fosse | Choreographer |
| Crew | Hermes Pan | Choreographer |
| Costume & Make-Up | Walter Plunkett | Costume Design |
| Art | Cedric Gibbons | Art Direction |
| Art | Urie McCleary | Art Direction |
| Art | Richard Pefferle | Set Decoration |
| Art | Edwin B. Willis | Set Decoration |
| Costume & Make-Up | Sydney Guilaroff | Hairstylist |
| Costume & Make-Up | William Tuttle | Makeup Designer |
| Directing | George Rhein | Assistant Director |
| Sound | Saul Chaplin | Music Director |
| Sound | Skip Martin | Orchestrator |
| Sound | André Previn | Music Director |
| Sound | Conrad Salinger | Orchestrator |
| Sound | Cole Porter | Music |
| Writing | Cole Porter | Lyricist |
| Crew | Warren Newcombe | Special Effects |
| Sound | Bobby Tucker | Vocal Coach |
| Sound | Douglas Shearer | Recording Supervision |
